{"id":497,"date":"2004-01-05T12:25:34","date_gmt":"2004-01-05T20:25:34","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/01\/on_the_page\/"},"modified":"2004-01-05T12:25:34","modified_gmt":"2004-01-05T20:25:34","slug":"on_the_page","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/01\/on_the_page.html","title":{"rendered":"ON THE PAGE"},"content":{"rendered":"<p><P>Three generations of American playwrights, each playwright considered by many to be the<br \/>\nbest of his generation, each writing prose for the page and not the stage. Here&#8217;s <A\nhref=\"http:\/\/www.thenation.com\/doc.mhtml?i=20040112&#038;s=miller\"><B><EM><FONT\ncolor=#003399>Arthur Miller<\/FONT><\/EM><\/B><\/A> on Fidel Castro, <A\nhref=\"http:\/\/www.threepennyreview.com\/samples\/mamet_w04.html\"><B><EM><FONT\ncolor=#003399>David Mamet<\/FONT><\/EM><\/B><\/A> on the power of names, <A\nhref=\"http:\/\/www.the-tls.co.uk\/this_week\/story.aspx?story_id=2105516\"><B><EM><FONT\ncolor=#003399>Tony Kushner<\/FONT><\/EM><\/B><\/A> on Eugene O&#8217;Neill. How nice.<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Three generations of American playwrights, each playwright considered by many to be the best of his generation, each writing prose for the page and not the stage. Here&#8217;s Arthur Miller on Fidel Castro, David Mamet on the power of names, Tony Kushner on Eugene O&#8217;Neill. How nice.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-497","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-81","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/497","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=497"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/497\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=497"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=497"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=497"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}