{"id":48821,"date":"2021-11-15T12:17:07","date_gmt":"2021-11-15T17:17:07","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=48821"},"modified":"2022-01-27T11:52:06","modified_gmt":"2022-01-27T16:52:06","slug":"so-like-the-realm-of-love-and-ardor-2","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2021\/11\/so-like-the-realm-of-love-and-ardor-2.html","title":{"rendered":"&#8216;so unlike the realm of \/ love and ardor&#8217;<\/strong>"},"content":{"rendered":"\n<div class=\"wp-block-image is-style-default\"><figure class=\"alignleft size-full is-resized\"><a href=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/01\/WORLD-OF-TROUBLE-ultimo.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"48820\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/marcel-duchamp-drawing-or-etching-cropped-enh\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/11\/Marcel-Duchamp-drawing-or-etching-cropped-enh.jpg\" data-orig-size=\"393,393\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Marcel-Duchamp-drawing or etching cropped-enh\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/11\/Marcel-Duchamp-drawing-or-etching-cropped-enh-300x300.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/11\/Marcel-Duchamp-drawing-or-etching-cropped-enh.jpg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/11\/Marcel-Duchamp-drawing-or-etching-cropped-enh.jpg\" alt=\"\" class=\"wp-image-48820\" width=\"463\" height=\"463\" title=\"CLICK FOR ANOTHER WAY TO SEE 'WORLD OF TROUBLE'\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/11\/Marcel-Duchamp-drawing-or-etching-cropped-enh.jpg 393w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/11\/Marcel-Duchamp-drawing-or-etching-cropped-enh-300x300.jpg 300w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/11\/Marcel-Duchamp-drawing-or-etching-cropped-enh-150x150.jpg 150w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/11\/Marcel-Duchamp-drawing-or-etching-cropped-enh-100x100.jpg 100w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/11\/Marcel-Duchamp-drawing-or-etching-cropped-enh-200x200.jpg 200w\" sizes=\"auto, (max-width: 463px) 100vw, 463px\" \/><\/a><figcaption>\u00a9 <em>Marcel Duchamp<\/em><\/figcaption><\/figure><\/div>\n\n\n\n<pre class=\"wp-block-verse has-text-align-left\"><em>WORLD OF TROUBLE\n<\/em>\nIn a world of trouble\nso unlike the realm of\nlove and ardor\nthe singularity of death\nhas come to this \u2014\nwe shrink,\nabandoned, into history.\n\nDying\nis hard on the living \u2014\nthe past is clarified,\nsubtracted from the finite,\nhurled into the infinite,\nunknowable \u2014\nas it has ever been.\n\n<em>\u00a9 JH<\/em><\/pre>\n\n\n\n<p class=\"has-text-align-center\">\u2022 \u2022 \u2022<\/p>\n\n\n\n<h3 class=\"has-text-align-center wp-block-heading\">Postscript: <em>Dec. 5 \u2014 A card from Cold Turkey Press<\/em>.<\/h3>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"alignleft size-full is-resized\"><a href=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/12\/world-of-trouble-recto-bdr.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"49117\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/world-of-trouble-recto-bdr365\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/12\/world-of-trouble-recto-bdr365.jpg\" data-orig-size=\"364,523\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"world of trouble recto (bdr)(365)\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/12\/world-of-trouble-recto-bdr365-209x300.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/12\/world-of-trouble-recto-bdr365.jpg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/12\/world-of-trouble-recto-bdr365.jpg\" alt=\"\" class=\"wp-image-49117\" width=\"354\" height=\"510\" title=\"CLICK TO ENLARGE.\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/12\/world-of-trouble-recto-bdr365.jpg 364w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/12\/world-of-trouble-recto-bdr365-209x300.jpg 209w\" sizes=\"auto, (max-width: 354px) 100vw, 354px\" \/><\/a><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"alignleft size-full is-resized\"><a href=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/01\/WORLD-OF-TROUBLE-CT-VERSO-ultimo.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"49745\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/world-of-trouble-ct-verso-ultimo-enh359x514\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/01\/WORLD-OF-TROUBLE-CT-VERSO-ultimo-enh359x514.jpg\" data-orig-size=\"359,514\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"WORLD OF TROUBLE-CT-VERSO-ultimo (enh)(359&amp;#215;514)\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/01\/WORLD-OF-TROUBLE-CT-VERSO-ultimo-enh359x514-210x300.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/01\/WORLD-OF-TROUBLE-CT-VERSO-ultimo-enh359x514.jpg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/01\/WORLD-OF-TROUBLE-CT-VERSO-ultimo-enh359x514.jpg\" alt=\"\" class=\"wp-image-49745\" width=\"359\" height=\"515\" title=\"CLICK TO ENLARGE.\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/01\/WORLD-OF-TROUBLE-CT-VERSO-ultimo-enh359x514.jpg 359w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/01\/WORLD-OF-TROUBLE-CT-VERSO-ultimo-enh359x514-210x300.jpg 210w\" sizes=\"auto, (max-width: 359px) 100vw, 359px\" \/><\/a><\/figure><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In a world of trouble<br \/>\nso unlike the realm of<br \/>\nlove and ardor<br \/>\nthe singularity of death<br \/>\nhas come to this \u2014<br \/>\nwe shrink,<br \/>\nabandoned, into history. &#8230;<\/p>\n","protected":false},"author":3,"featured_media":48820,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,18,4,23,17],"tags":[],"class_list":{"0":"post-48821","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-literature","9":"category-main","10":"category-news","11":"category-political-culture","12":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/11\/Marcel-Duchamp-drawing-or-etching-cropped-enh.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-cHr","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/48821","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=48821"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/48821\/revisions"}],"predecessor-version":[{"id":49748,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/48821\/revisions\/49748"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/48820"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=48821"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=48821"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=48821"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}