{"id":4859,"date":"2013-02-01T12:16:39","date_gmt":"2013-02-01T17:16:39","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=4859"},"modified":"2013-02-04T14:08:53","modified_gmt":"2013-02-04T19:08:53","slug":"the-green-man-is-a-green-terrorist","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2013\/02\/the-green-man-is-a-green-terrorist.html","title":{"rendered":"&#8216;The Green Man Is a Green Terrorist&#8217;"},"content":{"rendered":"<p>My blog staff of thousands didn&#8217;t have to do much to persuade me that Heathcote Williams&#8217;s newest dissident poem, a rhymed marvel of CAT-scan clarity, will be seen one day as a YouTube classic. Here are the opening lines transcribed from the video in four-line stanzas:<\/p>\n<blockquote><p>Tangled vegetation sprouts from each orifice<br \/>\nFrom his mouth, his nose, and his ears<br \/>\nSignifying the creature&#8217;s urge to merge with nature<br \/>\nAnd rouse inhumanity&#8217;s darker fears.<\/p><\/blockquote>\n<div id=\"attachment_4860\" style=\"width: 570px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.youtube.com\/watch?v=A6YxcosDp8Q\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4860\" data-attachment-id=\"4860\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/2013\/02\/the-green-man-is-a-green-terrorist.html\/the-green-man-is-a-green-terrorist-560\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/02\/THE-GREEN-MAN-IS-A-GREEN-TERRORIST-560.jpg\" data-orig-size=\"560,291\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"THE GREEN MAN IS A GREEN TERRORIST (560)\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;&lt;BR&gt;Click for the video to listen and watch. &amp;#8216;The Green Man&amp;#8217; by Heathcote Williams. Montage and narration by Alan Cox.&lt;\/p&gt;\n\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/02\/THE-GREEN-MAN-IS-A-GREEN-TERRORIST-560.jpg\" src=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/02\/THE-GREEN-MAN-IS-A-GREEN-TERRORIST-560.jpg\" alt title=\"Click for the video. Listen to Heathcote Williams's &#039;The Green Man Is a Green Terrorist&#039; narrated by Alan Cox. Watch the montage.\" width=\"560\" height=\"291\" class=\"size-full wp-image-4860\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/02\/THE-GREEN-MAN-IS-A-GREEN-TERRORIST-560.jpg 560w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/02\/THE-GREEN-MAN-IS-A-GREEN-TERRORIST-560-300x155.jpg 300w\" sizes=\"auto, (max-width: 560px) 100vw, 560px\" \/><\/a><p id=\"caption-attachment-4860\" class=\"wp-caption-text\"><BR>Click for the video. Listen to Heathcote Williams&#8217;s poem narrated by Alan Cox and watch the montage.<\/p><\/div>\n<blockquote><p>He&#8217;s Dionysus dancing drunk around maypoles<br \/>\nHe&#8217;s Pan stamping a cleft foot on the ground<br \/>\nTo awaken the sleeping Earth&#8217;s spirits of springtime<br \/>\nAs winter dies and a new life force is found.<\/p>\n<p>Thanks to subversive stone masons in the Middle Ages<br \/>\nThis green remnant of man&#8217;s pagan past<br \/>\nFinds its way onto church ceilings, corbels, and bosses<br \/>\nAlong with Sheela na gigs mad with lust.<\/p><\/blockquote>\n<p>Williams messages that <a href=\"http:\/\/www.sea-urchin.net\/books\/cold-turkey-press\/\">Cold Turkey Press<\/a> may be planning a print edition of &#8220;The Green Man Is a Green Terrorist.&#8221; If and when that happens, we&#8217;ll will pass the information along.<\/p>\n<p><a href=\"http:\/\/www.huffingtonpost.com\/jan-herman\/the-green-man-is-a-green-_b_2611746.html\"><strong>(Crossposted at HuffPo)<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>My blog staff of thousands didn&#8217;t have to do much to persuade me that Heathcote Williams&#8217;s newest dissident poem, a rhymed marvel of CAT-scan clarity, will be seen one day as a YouTube classic. Here are the opening lines transcribed from the video in four-line stanzas: Tangled vegetation sprouts from each orifice From his mouth, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,18,20,17],"tags":[],"class_list":{"0":"post-4859","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-art","7":"category-literature","8":"category-media","9":"category-political-culture","10":"entry","11":"has-post-thumbnail"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-1gn","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/4859","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=4859"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/4859\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=4859"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=4859"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=4859"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}