{"id":485,"date":"2003-12-19T11:31:04","date_gmt":"2003-12-19T19:31:04","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2003\/12\/gentleman_scandalmonger\/"},"modified":"2003-12-19T11:31:04","modified_gmt":"2003-12-19T19:31:04","slug":"gentleman_scandalmonger","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2003\/12\/gentleman_scandalmonger.html","title":{"rendered":"GENTLEMAN SCANDALMONGER"},"content":{"rendered":"<p><P>After all the tears shed over the death of neocon ideologue Robert L. Bartley, because he was<br \/>\nkind and gentle in his private life, at least <A\nhref=\"http:\/\/bostonphoenix.com\/boston\/news_features\/this_just_in\/documents\/03435309.asp\"><\nB><EM><FONT color=#003399>Dan Kennedy hasn&#8217;t forgotten<\/FONT><\/EM><\/B><\/A><br \/>\nexactly what <A\nhref=\"http:\/\/www.artsjournal.com\/herman\/archives20031207.shtml#63106\"><B><EM><FONT\ncolor=#003399>we&#8217;d noted, too<\/FONT><\/EM><\/B><\/A>, that Bartley in his public role as the<br \/>\nchief editorialist for the Wall Street Journal had been,&nbsp;in Kennedy&#8217;s fair phrase, &#8220;a vicious<br \/>\nscandalmonger.&#8221;<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>After all the tears shed over the death of neocon ideologue Robert L. Bartley, because he was kind and gentle in his private life, at least < B>Dan Kennedy hasn&#8217;t forgotten exactly what we&#8217;d noted, too, that Bartley in his public role as the chief editorialist for the Wall Street Journal had been,&nbsp;in Kennedy&#8217;s fair [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-485","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-7P","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/485","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=485"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/485\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=485"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=485"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=485"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}