{"id":482,"date":"2004-01-05T01:54:07","date_gmt":"2004-01-05T09:54:07","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/01\/calling_for_comment\/"},"modified":"2004-01-05T01:54:07","modified_gmt":"2004-01-05T09:54:07","slug":"calling_for_comment","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/01\/calling_for_comment.html","title":{"rendered":"CALLING FOR COMMENT"},"content":{"rendered":"<p><P>I see that Sharon Waxman, of The New York Times, and Foxnews.com&#8217;s Roger Friedman are<br \/>\n<A href=\"http:\/\/www.nypost.com\/seven\/01042004\/gossip\/pagesix.htm\"><B><EM><FONT\ncolor=#003399>feuding over stories<\/FONT><\/EM> <\/B><\/A>they wrote about the influence of<br \/>\nthe Nation of Islam on Michael Jackson. The New York Post&#8217;s Page Six says Friedman is howling<br \/>\nthat Waxman ripped him off. She in turn accuses him of being inaccurate. What I find particularly<br \/>\ninteresting is Waxman&#8217;s complaint that &#8220;Roger Friedman is clearly not the kind of reporter to<br \/>\ncheck his stories as he never called me.&#8221;<\/P><br \/>\n<P>As I recall from my days as entertainment editor at MSNBC.com, Waxman wrote a story in<br \/>\nMarch 2002 that appeared on the front page of the Washington Post Style section, when she was<br \/>\na Post reporter, alleging there was a &#8220;smear campaign&#8221; against DreamWorks\/Universal&#8217;s &#8220;A<br \/>\nBeautiful Mind&#8221; by rival studios hoping to knock it out of the Oscar race. You remember that,<br \/>\nno? Everybody was writing about it at the time. As evidence of the campaign, Waxman cited a<br \/>\nnumber of stories about the movie, including one written by MSNBC.com gossip columnist<br \/>\nJeannette Walls. <\/P><br \/>\n<P>Waxman wrote that &#8220;the New York Post&#8217;s gossip page quoted an Internet report from<br \/>\nMSNBC.com in which nurse Eleanor Stier, who had a child with Nash, is quoted as saying, &#8216;He&#8217;s<br \/>\nreally sort of mean.&#8217; &#8220;<\/P><br \/>\n<P>Walls, in her column <A href=\"http:\/\/www.msnbc.msn.com\/id\/3032387\/\"><B><EM><FONT\ncolor=#003399>The Scoop<\/FONT><\/EM><\/B><\/A>, had tracked down Stier and asked her<br \/>\nwhat she thought of the film and its depiction of Nash. She told Walls she didn&#8217;t like the movie.<br \/>\nWhen Walls called Waxman (after Waxman&#8217;s story appeared) to make it clear that she, Walls,<br \/>\nwasn&#8217;t working at the behest of any studio, Waxman said, and this is not a direct quote but I&#8217;m<br \/>\ntold it&#8217;s pretty close: &#8220;Do you expect me to believe that you did all that reporting on your own?&#8221;<br \/>\n<\/P><br \/>\n<P>I&#8217;m told that Walls replied, &#8220;Well, I can&#8217;t help what you do or don&#8217;t believe, but the truth is<br \/>\nthat, yes, I did it all on my own. And if you had called me, I would have told you that.&#8221; <\/P><br \/>\n<P>Waxman practically called Walls a liar, my source says. Walls told Waxman if she had at least<br \/>\ncalled for her comment, Walls&#8217; position could have been represented in Waxman&#8217;s article.<br \/>\nWaxman&#8217;s reply? She said to Walls, and these, I&#8217;m told, were Waxman&#8217;s exact words, &#8220;I felt it did<br \/>\nnot behoove me to call you.&#8221;<\/P><br \/>\n<P>Full disclosure: I was unbehooved to&nbsp;call Waxman for her side of the story.&nbsp;<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I see that Sharon Waxman, of The New York Times, and Foxnews.com&#8217;s Roger Friedman are feuding over stories they wrote about the influence of the Nation of Islam on Michael Jackson. The New York Post&#8217;s Page Six says Friedman is howling that Waxman ripped him off. She in turn accuses him of being inaccurate. What [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-482","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-7M","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/482","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=482"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/482\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=482"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=482"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=482"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}