{"id":477,"date":"2003-12-11T10:33:40","date_gmt":"2003-12-11T18:33:40","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2003\/12\/valediction\/"},"modified":"2003-12-11T10:33:40","modified_gmt":"2003-12-11T18:33:40","slug":"valediction","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2003\/12\/valediction.html","title":{"rendered":"VALEDICTION"},"content":{"rendered":"<p><P>The death yesterday of Robert L. Bartley might soften the edges of <A\nhref=\"http:\/\/online.wsj.com\/article_email\/0,,SB10711076037695100-H9jeoNhlaV2o5ysZYCHa6\naAm4,00.html\"><B><EM><FONT color=#003399>his portrait<\/FONT><\/EM><\/B><\/A> for<br \/>\nsome. But it&#8217;s not likely to bring much private sympathy from the Journal&#8217;s reporting staff, which<br \/>\ntended to regard him as crazily biased.<\/P><br \/>\n<P>Bartley was awarded the Presidential Medal of Freedom last week (see <A\nhref=\"http:\/\/www.artsjournal.com\/herman\/archives20031130.shtml#62461\"><B><EM><FONT\ncolor=#003399>Imperial Accessories<\/FONT><\/EM><\/B><\/A>) for being a far-right ideologue<br \/>\nwho imbued the editorial pages of the Wall Street Journal with a take-no-prisoners faith in<br \/>\nsupply-side economics as well as brutal treatment of the Clinton administration.<\/P><br \/>\n<P>When Clinton White House lawyer Vince Foster committed suicide in 1993, the note found in<br \/>\nhis briefcase did not mention Bartley by name, but it might as well have. It said &#8220;the WSJ editors<br \/>\nlie without consequence.&#8221; <\/P><br \/>\n<P>Bartley, who could be &#8220;<A\nhref=\"http:\/\/www.washingtonpost.com\/wp-dyn\/articles\/A54653-2003Dec10.html\"><B><EM><F\nONT color=#003399>aloof and downright disdainful<\/FONT><\/EM><\/B><\/A> of his<br \/>\nintellectual nemeses,&#8221; had hounded Foster without mercy on the Journal&#8217;s editorial page for<br \/>\nsupposed Whitewater transgressions.&nbsp;His response to Foster&#8217;s death was to dig his heels in<br \/>\ndeeper. <\/P><br \/>\n<P>&#8220;For my part,&#8221; Bartley wrote (see <A\nhref=\"http:\/\/www.nytimes.com\/2003\/12\/11\/obituaries\/11BART.html\"><B><EM><FONT\ncolor=#003399>this portrait<\/FONT><\/EM><\/B><\/A>), &#8220;I can testify that getting tagged with<br \/>\nblame for the Foster suicide powerfully focused my own attention on Whitewater.&#8221; Which turned<br \/>\nout to be a mistake. (It also spawned a cottage industry of Whitewater conspiracy theories.)<\/P><br \/>\n<P>&#8220;Bartley&#8217;s rants now litter the dustbin of history,&#8221; former Clinton aide and political consultant<br \/>\nPaul Begala recently pointed out (<A\nhref=\"http:\/\/www.cnn.com\/TRANSCRIPTS\/0312\/04\/cf.00.html\"><B><EM><FONT\ncolor=#003399>scroll down<\/FONT><\/EM><\/B><\/A>). &#8220;He was wrong about the Clinton<br \/>\neconomic program, wrong about the Clinton foreign policy, wrong about Whitewater, and pretty<br \/>\nmuch every issue he ever addressed. <\/P><br \/>\n<P>&#8220;But Mr. Bush says Bartley &#8216;helped shape the times in which we live.&#8217; Well, that he did. He<br \/>\nreplaced Ronald Reagan&#8217;s sunny optimism with paranoia, cruelty, and bitterness. And for our<br \/>\npresident to honor this thug disgraces the Medal of Freedom. Shame on George Bush.&#8221;<\/P><br \/>\n<P>Shame on him? Don&#8217;t waste your breath, Paul.<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The death yesterday of Robert L. Bartley might soften the edges of his portrait for some. But it&#8217;s not likely to bring much private sympathy from the Journal&#8217;s reporting staff, which tended to regard him as crazily biased. Bartley was awarded the Presidential Medal of Freedom last week (see Imperial Accessories) for being a far-right [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-477","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-7H","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/477","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=477"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/477\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=477"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=477"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=477"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}