{"id":46564,"date":"2021-05-27T11:53:40","date_gmt":"2021-05-27T15:53:40","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=46564"},"modified":"2021-05-27T12:26:44","modified_gmt":"2021-05-27T16:26:44","slug":"into-the-mainstream-moma-to-feature-clayton-patterson-documentaries","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2021\/05\/into-the-mainstream-moma-to-feature-clayton-patterson-documentaries.html","title":{"rendered":"<font size =\"+2\"><em>Into the Mainstream<\/em><\/font> <br><strong>MoMA to Feature Clayton Patterson Documentaries<\/strong>"},"content":{"rendered":"\n<h4 class=\"has-text-align-center wp-block-heading\"><em><strong>Outsider Videographer Finally Gets Some of His Due <\/strong><\/em><\/h4>\n\n\n\n<p><strong>&#8220;Canadian-born multimedia artist and writer <strong><a href=\"https:\/\/www.artsjournal.com\/herman\/?s=Clayton+patterson\">Clayton Patterson<\/a><\/strong> has lived through, and broadly documented, more of outsider culture and the evolving history of New York\u2019s Lower East Side than anyone else of his generation. The virtually unseen archive of VHS and 8mm videos he shot there between 1986 and 2001 numbers over 2,000 tapes of astonishing diversity. Whether recording the underground culture of drag performers and tattoo artists; hardcore music venues and gallery openings; the lives of Hispanic and Orthodox Jewish residents and the homeless; public meetings, political demonstrations, and police activity; or the destructive transformation of his neighborhood through gentrification, Patterson used the moving image to build a sense of community among the people he engaged with. Always resolutely on the fringe, as a videographer he is best known for recording the battle between New York City police and protesters in the streets around Tompkins Square Park on the night of August 6, 1988, an event that led to multiple court appearances and appearances with Oprah and others on the talk show circuit.&#8221; <em>\u2014 Ron Magliozzi, MoMA Curator Department of Film<\/em><\/strong><\/p>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><em><strong>His documentaries are<\/strong><\/em><font color=\"#2271b1\"><span style=\"caret-color: rgb(34, 113, 177);\"><i><u><\/u><\/i><\/span><\/font><a href=\"https:\/\/www.moma.org\/calendar\/film\/5314\"><em><strong> to be streamed June 17 &#8211; 29, 2021<\/strong><\/em>.<\/a><\/h4>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.moma.org\/calendar\/film\/5314\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"46572\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/moma-clayton-paterson-use-bdr-enhextra-750\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/05\/MoMA-clayton-paterson-use-bdr-enhextra-750.jpg\" data-orig-size=\"750,1258\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"MoMA-clayton paterson-use (bdr) (enh)extra (750)\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/05\/MoMA-clayton-paterson-use-bdr-enhextra-750-610x1024.jpg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/05\/MoMA-clayton-paterson-use-bdr-enhextra-750-610x1024.jpg\" alt=\"\" class=\"wp-image-46572\" width=\"854\" height=\"1433\" title=\"CLICK for MOMA program.\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/05\/MoMA-clayton-paterson-use-bdr-enhextra-750-610x1024.jpg 610w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/05\/MoMA-clayton-paterson-use-bdr-enhextra-750-179x300.jpg 179w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/05\/MoMA-clayton-paterson-use-bdr-enhextra-750.jpg 750w\" sizes=\"auto, (max-width: 854px) 100vw, 854px\" \/><\/a><\/figure><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Canadian-born multimedia artist and writer Clayton Patterson has lived through, and broadly documented, more of outsider culture and the evolving history of New York\u2019s Lower East Side than anyone else of his generation. The virtually unseen archive of VHS and 8mm videos he shot there between 1986 and 2001 numbers over 2,000 tapes of astonishing diversity. &#8230;  Always resolutely on the fringe, as a videographer he is best known for recording the battle between New York City police and protesters in the streets around Tompkins Square Park on the night of August 6, 1988, an event that led to multiple court appearances and appearances with Oprah and others on the talk show circuit.&#8221; \u2014 Ron Magliozzi, MoMA Curator Department of Film<\/p>\n","protected":false},"author":3,"featured_media":39710,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,4,20,21,23,17],"tags":[],"class_list":{"0":"post-46564","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-main","9":"category-media","10":"category-movies","11":"category-news","12":"category-political-culture","13":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/05\/Cover-LES-graphic-anthology-420.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-c72","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/46564","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=46564"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/46564\/revisions"}],"predecessor-version":[{"id":46611,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/46564\/revisions\/46611"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/39710"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=46564"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=46564"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=46564"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}