{"id":45965,"date":"2021-04-29T09:35:44","date_gmt":"2021-04-29T13:35:44","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=45965"},"modified":"2021-05-25T10:30:11","modified_gmt":"2021-05-25T14:30:11","slug":"becoming-nobody","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2021\/04\/becoming-nobody.html","title":{"rendered":"<font size=\"+3\">Becoming &#8216;Nobody&#8217;<\/font>"},"content":{"rendered":"\n<h6 class=\"has-text-align-center wp-block-heading\"><strong><em>&#8220;This seems about right at any time but especially in the time of #MeToo.&#8221; \u2014 Yakov Boyarsky<\/em><\/strong><\/h6>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter size-large\"><a href=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/05\/Becoming-Nobody-a-deformed-sonnet-by-Jan-Herman-750.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"445\" data-attachment-id=\"46516\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/becoming-nobody-a-deformed-sonnet-by-jan-herman-750\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/05\/Becoming-Nobody-a-deformed-sonnet-by-Jan-Herman-750.jpg\" data-orig-size=\"750,445\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Becoming &amp;#8216;Nobody&amp;#8217; (a deformed sonnet by Jan Herman) (750)\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/05\/Becoming-Nobody-a-deformed-sonnet-by-Jan-Herman-750-300x178.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/05\/Becoming-Nobody-a-deformed-sonnet-by-Jan-Herman-750.jpg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/05\/Becoming-Nobody-a-deformed-sonnet-by-Jan-Herman-750.jpg\" alt=\"\" class=\"wp-image-46516\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/05\/Becoming-Nobody-a-deformed-sonnet-by-Jan-Herman-750.jpg 750w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/05\/Becoming-Nobody-a-deformed-sonnet-by-Jan-Herman-750-300x178.jpg 300w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/a><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center\">+ + +<\/p>\n\n\n\n<p class=\"has-text-align-center\">&#8216;Nobody&#8217; was first published by Cold Turkey Press in 2018 on the verso of a limited edition card. <br>This &#8220;stenciled text&#8221; by Gerard Bellaart appeared on the recto.<\/p>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter size-large\"><a href=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2018\/06\/nobody-recto-619.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"619\" height=\"928\" data-attachment-id=\"30077\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/nobody-recto-619\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2018\/06\/nobody-recto-619.jpg\" data-orig-size=\"619,928\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Stenciled text \u00a9 by Gerard Bellaart\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Stenciled text \u00a9 by Gerard Bellaart&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2018\/06\/nobody-recto-619-200x300.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2018\/06\/nobody-recto-619.jpg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2018\/06\/nobody-recto-619.jpg\" alt=\"Stenciled text \u00a9 by Gerard Bellaart\" class=\"wp-image-30077\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2018\/06\/nobody-recto-619.jpg 619w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2018\/06\/nobody-recto-619-200x300.jpg 200w\" sizes=\"auto, (max-width: 619px) 100vw, 619px\" \/><\/a><figcaption>Stenciled text \u00a9 by Gerard Bellaart<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cThis seems about right at any time but especially in the time of #MeToo.\u201d \u2014 Yakov Boyarsky<\/p>\n","protected":false},"author":3,"featured_media":45986,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,26,18,4,23,17],"tags":[],"class_list":{"0":"post-45965","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-books","9":"category-literature","10":"category-main","11":"category-news","12":"category-political-culture","13":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/04\/BECOMING-NOBODY-1-750.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-bXn","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/45965","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=45965"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/45965\/revisions"}],"predecessor-version":[{"id":46517,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/45965\/revisions\/46517"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/45986"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=45965"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=45965"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=45965"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}