{"id":45960,"date":"2021-05-02T15:32:52","date_gmt":"2021-05-02T19:32:52","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=45960"},"modified":"2025-09-12T11:08:23","modified_gmt":"2025-09-12T15:08:23","slug":"superverts-translation-of-to-arthur-rimbaud","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2021\/05\/superverts-translation-of-to-arthur-rimbaud.html","title":{"rendered":"<font size=\"+3\">Supervert&#8217;s New Translation of  &#8216;To Arthur Rimbaud&#8217;<\/font>"},"content":{"rendered":"<div class=\"wp-block-image is-style-default\">\n<figure class=\"alignright size-large is-resized\"><a href=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/05\/rimbaud-ca.-1880365enh.jpeg\"><img loading=\"lazy\" decoding=\"async\" width=\"365\" height=\"366\" data-attachment-id=\"46179\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/rimbaud-ca-1880365enh\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/05\/rimbaud-ca.-1880365enh.jpeg\" data-orig-size=\"365,366\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Arthur Rimbaud (photo, ca. 1880)\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/05\/rimbaud-ca.-1880365enh.jpeg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/05\/rimbaud-ca.-1880365enh.jpeg\" alt=\"\" class=\"wp-image-46179\" style=\"width:256px;height:257px\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/05\/rimbaud-ca.-1880365enh.jpeg 365w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/05\/rimbaud-ca.-1880365enh-300x300.jpeg 300w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/05\/rimbaud-ca.-1880365enh-150x150.jpeg 150w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/05\/rimbaud-ca.-1880365enh-100x100.jpeg 100w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/05\/rimbaud-ca.-1880365enh-200x200.jpeg 200w\" sizes=\"auto, (max-width: 365px) 100vw, 365px\" \/><\/a><figcaption class=\"wp-element-caption\"><em>Arthur Rimbaud <\/em><br><em>(photograph, ca. 1880)<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<pre class=\"wp-block-verse has-text-align-left\"><strong> <font size=\"+2.5\">To Arthur Rimbaud<\/font><br><em> by <a href=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/04\/helmut-maria-soiks-rimbaud-under-the-steel-helmut.jpg\">Helmut Maria Soik<\/a><\/em><\/strong><br><strong>\u00a0<br> Your blast calculations were\u00a0\u00a0\u00a0\u00a0 <br> right on the money, my boy <br> the armored wall of poetic imagination<br> collapsed under your hand\u00a0<br><br> But what the hell\u00a0<br> happened to your right leg?\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <br> The knee is swollen like a pumpkin\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <br> in the African grass of your fervid nights.\u00a0<br> Why didn't the ship's boilers explode\u00a0<br> on the high seas<br> and put an end<br> to your misery?<br> \u00a0<br> That you rot away in a bloody bed<br> Arthur, as the nun's voice from the graveyard<br> rings out through the H\u00f4pital\u00a0<br> de la Conception<br> That you cry out in the night from your poppy <\/strong><br>     <strong>jungle<br> That you cry out to the tam-tam of knife dancers<br> is no longer just your own concern.<br> It's the price you pay<br> for rebelling against the Christian<br> welfare state<br> for being a partisan<br> of absolute freedom<br> for nailing the note<br> \"Dieu est mort\"<br> on the church door<br> for declaring the bankruptcy<br> of our broken-down culture.<br> \u00a0<br> \"Monsieur, I will decide<br> whatever 'real life' they're ranting about,<br> the non-conformists,\" says\u00a0<br> the god of the bourgeoisie<br> putting his bowler hat<br> on the head of Hugo's Hermes\u00a0<br> calling out the whole city of Paris<br> in front of the Pantheon<br> so the academy's brightest lights<br> can bend a knee before the Te Deum of horse <\/strong><br>     <strong>hooves.<br> \u00a0<br> Go back to sleep, Arthur, don't wake up<br> with your one good leg<br> your belt of Abyssinian gold<br> among the rotting anemones of snow.<br> Go back to sleep, Jean Arthur, my angel<br> under your kitschy tombstone of<br> eighteen ninety-one! At least\u00a0<br> you only died one death<br> like the poor sunflower<br> that languished<br> by itself<br> on the table in the waiting room.<\/strong><br><br><em><strong>Translated from the German by <a href=\"https:\/\/supervert.com\">Supervert<\/a>.<\/strong><\/em><strong><br><\/strong><br><strong> \u00a0 <\/strong><\/pre>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Your blast calculations were<br \/>\n right on the money, my boy<br \/>\n the armored wall of poetic imagination<br \/>\n collapsed under your hand                       <\/p>\n<p> But what the hell<br \/>\n happened to your right leg?<br \/>\n The knee is swollen like a pumpkin<br \/>\n in the African grass of your fervid nights.<br \/>\n Why didn&#8217;t the ship&#8217;s boilers explode<br \/>\n on the high seas<br \/>\n and put an end<br \/>\n to your misery?<\/p>\n","protected":false},"author":3,"featured_media":46179,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18,4,23,17],"tags":[],"class_list":{"0":"post-45960","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-literature","8":"category-main","9":"category-news","10":"category-political-culture","11":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/05\/rimbaud-ca.-1880365enh.jpeg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-bXi","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/45960","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=45960"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/45960\/revisions"}],"predecessor-version":[{"id":70032,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/45960\/revisions\/70032"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/46179"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=45960"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=45960"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=45960"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}