{"id":45949,"date":"2021-05-03T11:24:08","date_gmt":"2021-05-03T15:24:08","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=45949"},"modified":"2021-05-05T12:21:06","modified_gmt":"2021-05-05T16:21:06","slug":"once-when-high-on-hash-two-versions","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2021\/05\/once-when-high-on-hash-two-versions.html","title":{"rendered":"Once When High on Hash (Two Versions)"},"content":{"rendered":"\n

First time around . . .<\/em><\/h4>\n\n\n\n
\"\"<\/a>
Cold Turkey Press (limited edition poster), 2021. CLICK TO READ. <\/em><\/a>
Baudelaire drew his self-portrait under the influence of hashish (ca. 1842). <\/figcaption><\/figure><\/div>\n\n\n\n

. . . and second.<\/em><\/h4>\n\n\n\n
\"\"<\/a>
Cold Turkey Press (limited edition poster), 2021. CLICK TO READ.<\/a><\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Either way (though it’s redundant to say), I didn’t kill myself.<\/em><\/h4>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Baudelaire drew his self-portrait under the influence of hashish (ca. 1842). As for me, ‘I wore no topcoat … \/ and no comet struck \/ me from a morbid sky … ‘<\/p>\n","protected":false},"author":3,"featured_media":45913,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,18,4,17],"tags":[],"class_list":{"0":"post-45949","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-literature","9":"category-main","10":"category-political-culture","11":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/04\/baudelaire-drawing-recto-560.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-bX7","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/45949","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=45949"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/45949\/revisions"}],"predecessor-version":[{"id":47673,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/45949\/revisions\/47673"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/45913"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=45949"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=45949"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=45949"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}