{"id":442,"date":"2003-11-17T07:48:02","date_gmt":"2003-11-17T15:48:02","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2003\/11\/unfinished_business_1\/"},"modified":"2003-11-17T07:48:02","modified_gmt":"2003-11-17T15:48:02","slug":"unfinished_business_1","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2003\/11\/unfinished_business_1.html","title":{"rendered":"UNFINISHED BUSINESS"},"content":{"rendered":"<p><P>The independent 9\/11 commission, <A\nhref=\"http:\/\/www.artsjournal.com\/herman\/archives20031102.shtml#59184\"><B><EM><FONT\ncolor=#003399>which had me worried me<\/FONT><\/EM><\/B><\/A>, just lost so much of its<br \/>\nindependence you have to wonder whether American democracy has become a charade. The<br \/>\ncommission&#8217;s job &#8212; to find out what the Bush administration knew about the 9\/11 Al Qaeda<br \/>\nattacks and whether they could have been prevented &#8212; has turned into the equivalent of asking the<br \/>\nSaudis to show us their bank records. <\/P><br \/>\n<P>Track the progression from last week&#8217;s headlines: <A\nhref=\"http:\/\/www.nytimes.com\/2003\/11\/07\/national\/07TERR.html\"><B><EM><FONT\ncolor=#003399>&#8220;9\/11 Panel May Reject Offer of Limited Access to<br \/>\nBriefings&#8221;<\/FONT><\/EM><\/B><\/A> (Nov. 7), <A\nhref=\"http:\/\/www.nytimes.com\/2003\/11\/13\/politics\/13TERR.html?hp\"><B><EM><FONT\ncolor=#003399>&#8220;Panel Reaches Deal on Access to 9\/11 Papers&#8221;<\/FONT><\/EM><\/B><\/A><br \/>\n(Nov. 11), <A\nhref=\"http:\/\/www.nytimes.com\/2003\/11\/14\/national\/14TERR.html\"><B><EM><FONT\ncolor=#003399>&#8220;Deal on 9\/11 Briefings Lets White House Edit<br \/>\nPapers&#8221;<\/FONT><\/EM><\/B><\/A> (Nov. 13).<\/P><br \/>\n<P>Although the headlines tell the story in broad outline, they don&#8217;t give the devilish details. The<br \/>\n&#8220;deal&#8221; means that Bush and his cronies will not only have the right to edit sensitive Oval Office<br \/>\ndocuments&nbsp;(chiefly Bush&#8217;s daily intelligence reports) before letting the commission see<br \/>\nthem, but will also have the right to choose what reports to show the commission.<\/P><br \/>\n<P>That&#8217;s terrific. After all, according to The New York Times, &#8220;administration officials<br \/>\nacknowledge that they fear that information in the reports might be construed to suggest that the<br \/>\nWhite House had clues before Sept. 11, 2001, that Al Qaeda was planning a catastrophic attack.&#8221;<br \/>\nWhy shouldn&#8217;t the maximum leader of a developing banana republic be entitled to sanitize the<br \/>\nrecords? <\/P><br \/>\n<P><A href=\"http:\/\/www.laweekly.com\/ink\/03\/52\/features-cooper.php\"><B><EM><FONT\ncolor=#003399>Here&#8217;s why.<\/FONT><\/EM><\/B><\/A> (Isn&#8217;t it about time Ron Rosenbaum<br \/>\napologized to Gore Vidal?)<\/P><br \/>\n<P>Meantime, Bruce Fierstein gets my vote for <A\nhref=\"http:\/\/www.observer.com\/pages\/newyorkdiary.asp\"><B><EM><FONT\ncolor=#003399>funniest take&nbsp;on Der Gropenfuhrer&#8217;s plan to investigate<br \/>\nhimself.<\/FONT><\/EM><\/B><\/A>&nbsp;Fierstein thinks it&#8217;s a trend to watch &#8212; Martha Stewart,<br \/>\nKarl Rove and Kobe Bryant might latch onto it. We&#8217;ve already seen how it&#8217;s caught on&nbsp;at<br \/>\nthe White House.<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The independent 9\/11 commission, which had me worried me, just lost so much of its independence you have to wonder whether American democracy has become a charade. The commission&#8217;s job &#8212; to find out what the Bush administration knew about the 9\/11 Al Qaeda attacks and whether they could have been prevented &#8212; has turned [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-442","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-78","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=442"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/442\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}