{"id":436,"date":"2003-11-03T10:18:09","date_gmt":"2003-11-03T18:18:09","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2003\/11\/talking_back_to_the_tube\/"},"modified":"2003-11-03T10:18:09","modified_gmt":"2003-11-03T18:18:09","slug":"talking_back_to_the_tube","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2003\/11\/talking_back_to_the_tube.html","title":{"rendered":"TALKING BACK TO THE TUBE"},"content":{"rendered":"<p><P>A friend messages: &#8220;Aren&#8217;t you bothered by the fact that at a time when too many children in<br \/>\nthis country go to bed hungry, when senior citizens cannot afford medical care, when soldiers are<br \/>\nbeing sent home from Iraq in boxes, the U.S. Senate held public hearings on college football&#8217;s<br \/>\nBowl Championship Series? And you wonder why people blandly accept George W. Bush? We&#8217;ve<br \/>\nexactly the government we deserve.&#8221;<\/P><br \/>\n<P>That got me to thinking: Have you reached the point of talking back to the network television<br \/>\nnews programs? I have &#8230; whenever Gee Dubya Shrub comes on to tell me how wonderful things<br \/>\nare in that <A\nhref=\"http:\/\/www.washingtonpost.com\/wp-dyn\/articles\/A29010-2003Oct28.html\"><B><EM><F\nONT color=#003399>&#8220;dangerous place&#8221;<\/FONT><\/EM><\/B><\/A> called Iraq &#8230; whenever<br \/>\nRummy comes on shows like &#8220;Name That Tune&#8221; &#8212; sorry, &#8220;This Week&#8221; and &#8220;Meet the Press&#8221; &#8212; to<br \/>\nsay how <A\nhref=\"http:\/\/www.washingtonpost.com\/wp-dyn\/articles\/A55016-2003Nov2.html\"><B><EM><F\nONT color=#003399>&#8220;tragic days&#8221;<\/FONT><\/EM><\/B><\/A> (such as <A\nhref=\"http:\/\/www.washingtonpost.com\/wp-dyn\/articles\/A51540-2003Nov2.html\"><B><EM><F\nONT color=#003399>Sunday, when 16 U.S. soldiers died<\/FONT><\/EM><\/B><\/A> in the<br \/>\ndowning of a helicopter) are &#8220;necessary.&#8221; <\/P><br \/>\n<P>Lately, whenever the just-passed $87 billion appropriation for Iraq is mentioned, and<br \/>\nespecially when the $20 billion grant is mentioned, an involuntary reaction wells up. Nasty words<br \/>\nform like cartoon bubbles on my lips. This sort of backtalk is no help of course, only a symptom<br \/>\nof my desperation. It&#8217;s a measure of outrage and frustration lying too close to the surface.<\/P><br \/>\n<P><A\nhref=\"http:\/\/www.washingtonpost.com\/wp-dyn\/articles\/A55016-2003Nov2.html\"><B><EM><F\nONT color=#003399>A Washington Post-ABC poll<\/FONT><\/EM><\/B><\/A> now shows that<br \/>\na majority of Americans are beginning to feel the same way <I>(scroll down to fourth<br \/>\nparagraph)<\/I>. The reason &#8212; and here I&#8217;m taking the liberty of excerpting the words and<br \/>\ntransposing the reference points of one of the great writers of the 20th century &#8212; is that almost<br \/>\nevery <B>American between the end of World War II and 9\/11<\/B> lived in the tacit belief that<br \/>\ncivilization would last forever. You might be individually fortunate or unfortunate but you had<br \/>\ninside you the feeling that nothing would ever fundamentally change. But since <B>9\/11<\/B> that<br \/>\nsense of security has not existed. <B>Osama bin Laden and the terrorist jihad<\/B> shattered it as<br \/>\n<B>the Cold War, the Cuban missile crisis and even Vietnam<\/B> had failed to shatter it. We&#8217;ve<br \/>\nbeen living in a world in which not only one&#8217;s life but one&#8217;s whole scheme of values is constantly<br \/>\nmenaced. In such circumstances detachment is not possible. You cannot take a purely aesthetic<br \/>\ninterest in a disease you are dying from; you cannot feel dispassionately about a man who is about<br \/>\nto cut your throat.<\/P><br \/>\n<P>In fact, that passage is taken from a 1941 BBC broadcast on art and propaganda by George<br \/>\nOrwell. <A href=\"http:\/\/orwell.ru\/library\/articles\/frontiers\/e\/e_front.htm\"><B><EM><FONT\ncolor=#003399>(Read the original.)<\/FONT><\/EM><\/B><\/A> He was talking about Europeans,<br \/>\nnot Americans; about the period between 1890 and 1930, not 1945 and 2001; about the shattering<br \/>\nimpact of Hitler and the Depression compared to World War I and the Russian Revolution, not<br \/>\nabout Osama bin Laden and the terrorist jihad compared to the Cold War and so on. Admittedly,<br \/>\nOrwell himself would not countenance such distortions of time and place. You can&#8217;t change<br \/>\nhistorical particulars and expect the same meaning to hold up. <\/P><br \/>\n<P>But it&#8217;s remarkable how well the transposition seems to fit. Uncanny even. It&#8217;s why, when the<br \/>\npresident and his minions patronize me, when they treat me like an idiot too stupid or trusting to<br \/>\ncall them on their <A\nhref=\"http:\/\/www.salon.com\/news\/wire\/2003\/11\/03\/wh_iraq\/index.html\"><B><EM><FONT\ncolor=#003399>&#8220;unshakable&#8221; determination<\/FONT><\/EM><\/B><\/A> and pigheaded lies, when<br \/>\nthey claim for their own political aims and not my safety to be dealing with the terrorists holding<br \/>\nthe knife at my throat, that I go around the bend and find myself talking back to an inanimate<br \/>\nobject.<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A friend messages: &#8220;Aren&#8217;t you bothered by the fact that at a time when too many children in this country go to bed hungry, when senior citizens cannot afford medical care, when soldiers are being sent home from Iraq in boxes, the U.S. Senate held public hearings on college football&#8217;s Bowl Championship Series? And you [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-436","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-72","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/436","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=436"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/436\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=436"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=436"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=436"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}