{"id":43431,"date":"2020-12-08T09:50:08","date_gmt":"2020-12-08T14:50:08","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=43431"},"modified":"2020-12-14T16:30:54","modified_gmt":"2020-12-14T21:30:54","slug":"gc-cuny-at-the-center-of-the-conversation-biden-chronicler-evan-osnos-on-the-2020-presidential-election","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2020\/12\/gc-cuny-at-the-center-of-the-conversation-biden-chronicler-evan-osnos-on-the-2020-presidential-election.html","title":{"rendered":"GC CUNY at the Center of the Conversation<\/em><\/font>
Biden Chronicler Evan Osnos on the 2020 Presidential Election<\/b><\/font>"},"content":{"rendered":"\n
\"\"
Left: <\/em>Evan Osnos. Right:<\/em> Peter Osnos<\/figcaption><\/figure><\/div>\n\n\n\n

GC PRESENTS: <\/strong>“In his new book,\u00a0Joe Biden: The Life, the Run,\u00a0and What Matters Now<\/em>,\u00a0Evan Osnos\u00a0<\/strong>draws on nearly a decade of reporting for\u00a0The New Yorker\u00a0<\/em>to capture the characters and meaning of the extraordinary 2020 presidential election. This portrait is based on lengthy interviews with Biden, as well as conversations with President Barack Obama, Biden’s advisers and opponents, activists, and Biden family members. The author speaks with his father\u00a0Peter Osnos<\/strong>, longtime journalist and founder of PublicAffairs Books, and\u00a0Kai Bird<\/strong>, executive director of the Leon Levy Center for Biography, in this online conversation.”<\/p>\n\n\n\n

A free online event: Tuesday, Dec. 15, 6 p.m. Register on Crowdcast<\/a>.
Presented by the Leon Levy Center for Biography.<\/em><\/p>\n\n\n\n

\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

In his new book, “Joe Biden: The Life, the Run, and What Matters Now,” Evan Osnos draws on nearly a decade of reporting for The New Yorker. His portrait of Biden and what his election means for the nation. is based on lengthy interviews with Biden, as well as conversations with President Barack Obama, the Biden family, his advisers, rivals, and opponents.<\/p>\n","protected":false},"author":3,"featured_media":43430,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[26,18,4,20,23,17],"tags":[],"class_list":{"0":"post-43431","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-books","8":"category-literature","9":"category-main","10":"category-media","11":"category-news","12":"category-political-culture","13":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/12\/OSNOS-BIDEN-470.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-biv","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/43431","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=43431"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/43431\/revisions"}],"predecessor-version":[{"id":43623,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/43431\/revisions\/43623"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/43430"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=43431"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=43431"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=43431"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}