{"id":42772,"date":"2020-11-09T10:22:35","date_gmt":"2020-11-09T15:22:35","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=42772"},"modified":"2020-11-09T10:37:11","modified_gmt":"2020-11-09T15:37:11","slug":"broken-furious-and-infinitely-pathetic-mencken-could-have-written-trumps-obituary","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2020\/11\/broken-furious-and-infinitely-pathetic-mencken-could-have-written-trumps-obituary.html","title":{"rendered":"‘Broken, Furious, and Infinitely Pathetic’<\/em><\/font>
Mencken Could Have Written Trump’s Obituary<\/strong><\/font>"},"content":{"rendered":"\n

When William Jennings Bryan died, in 1925, H.L. Mencken wrote the most devastating obituary of an American politician you’ll ever read\u2014and that includes Hunter S. Thompson’s farewell to Nixon. All you need to do is substitute “Trump” for “Bryan” to see how snug the fit will be when Trump takes his permanent leave.<\/p>\n\n\n\n

Bryan was a vulgar and common man, a cad undiluted. He was ignorant, bigoted, self-seeking, blatant and dishonest. His career brought him in contact with the first men of his time; he preferred the company of rustic ignoramuses. It was hard to believe, watching him at Dayton, that he had traveled, that he had been received in civilized societies, that he had been a high officer of state. He seemed only a poor clod like those around him, deluded by a childish theology, full of an almost pathological hatred of all learning, all human dignity, all beauty, all fine and noble things. He was a peasant come home to the dung-pile. Imagine a gentleman, and you have imagined everything that he was not.<\/em><\/p><\/blockquote>\n\n\n\n

Read it whole. It’s uncanny.<\/a><\/h3>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

When William Jennings Bryan died, in 1925, H.L. Mencken wrote the most devastating obituary of an American politician you’ll ever read\u2014and that includes Hunter S. Thompson’s farewell to Nixon. All you need to do is substitute “Trump” for “Bryan” to see how snug the fit will be when Trump takes his permanent leave.<\/p>\n","protected":false},"author":3,"featured_media":35812,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18,4,23,17],"tags":[],"class_list":{"0":"post-42772","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-literature","8":"category-main","9":"category-news","10":"category-political-culture","11":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/08\/mencken.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-b7S","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/42772","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=42772"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/42772\/revisions"}],"predecessor-version":[{"id":42813,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/42772\/revisions\/42813"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/35812"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=42772"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=42772"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=42772"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}