{"id":42592,"date":"2020-10-29T17:31:46","date_gmt":"2020-10-29T21:31:46","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=42592"},"modified":"2020-10-30T13:32:52","modified_gmt":"2020-10-30T17:32:52","slug":"free-online-event-friday-oct-30-12-p-m-bend-your-mind-artificial-intelligence-and-art","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2020\/10\/free-online-event-friday-oct-30-12-p-m-bend-your-mind-artificial-intelligence-and-art.html","title":{"rendered":"Free Online Event \/ Friday \/ Oct. 30 \/ 12 p.m.<\/em><\/font>
Bend Your Mind: Artificial Intelligence and Art<\/strong>"},"content":{"rendered":"\n

“Today\u2019s computers compose music that sounds \u201cmore Bach than Bach\u201d and turn photographs into paintings in the style of Van Gogh\u2019s “Starry Night.” They also write screenplays. But are algorithms truly creative\u2014or are they merely tools to be used by musicians, artists, and writers?<\/font>” \u2014 Creative GC<\/em><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Join physicist and author Arthur I. Miller<\/strong> (The Artist in the Machine: The World of AI-Powered Creativity,<\/em> 2019), composer and media artist Doug Geers<\/strong>, artist and hacktivist Ricardo Dominguez<\/strong>, and MacArthur “Genius Award” winner and director of algorithmic theatre, Annie Dorsen,<\/strong> for a mind-bending session on the complex intersections of artists, machines, and the future of artistic experiences.<\/font><\/p>\n\n\n\n

\"\"
From left: <\/em>Annie Dorsen, Arthur I. Miller, Doug Geers, Ricardo Dominguez.<\/figcaption><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"

“Today\u2019s computers compose music that sounds \u201cmore Bach than Bach\u201d and turn photographs into paintings in the style of Van Gogh\u2019s “Starry Night.” They also write screenplays. But are algorithms truly creative\u2014or are they merely tools to be used by musicians, artists, and writers?” \u2014 Creative GC: Art and Science Connect<\/p>\n","protected":false},"author":3,"featured_media":42591,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":{"0":"post-42592","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-uncategorized","8":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/10\/AI-and-CREATIVITY.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-b4Y","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/42592","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=42592"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/42592\/revisions"}],"predecessor-version":[{"id":42630,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/42592\/revisions\/42630"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/42591"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=42592"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=42592"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=42592"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}