{"id":425,"date":"2003-10-26T02:22:11","date_gmt":"2003-10-26T10:22:11","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2003\/10\/keeping_score\/"},"modified":"2003-10-26T02:22:11","modified_gmt":"2003-10-26T10:22:11","slug":"keeping_score","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2003\/10\/keeping_score.html","title":{"rendered":"KEEPING SCORE"},"content":{"rendered":"<p><P>Charles Murray is stirring up trouble again. Emily Eakin&nbsp;reports in <A\nhref=\"http:\/\/www.nytimes.com\/2003\/10\/25\/arts\/25MURR.html\"><B><EM><FONT\ncolor=#003399>&#8220;A Cultural Scorecard Says West Is Ahead&#8221;<\/FONT><\/EM><\/B><\/A> that<br \/>\nhe&nbsp;says it&#8217;s not his intention. &#8220;But his record is hard to ignore.&#8221; <\/P><br \/>\n<P>Murray, the conservative co-author of <A\nhref=\"http:\/\/www.amazon.com\/exec\/obidos\/tg\/detail\/-\/0684824299\/qid=1067191243\/sr=1-6\/ref=\nsr_1_6\/103-3798977-4556652?v=glance&#038;s=books\"><B><EM><FONT\ncolor=#003399>&#8220;<\/FONT><FONT color=#003399>The Bell Curve,&#8221;<\/FONT><\/EM><\/B><\/A><br \/>\nwhich put the civilized world in an uproar&nbsp;when it professed&nbsp;that whites were<br \/>\nsmarter than blacks due to differences in hereditary IQ, now claims in another&nbsp;wicked<br \/>\nbook, <A\nhref=\"http:\/\/www.amazon.com\/exec\/obidos\/tg\/detail\/-\/006019247X\/qid=1067191243\/sr=1-1\/ref=\nsr_1_1\/103-3798977-4556652?v=glance&#038;s=books#product-details\"><B><EM><FONT\ncolor=#003399>&#8220;Human Accomplishment: The Pursuit of Excellence in the Arts and Sciences,<br \/>\n800 B.C. to 1950,&#8221;<\/FONT><\/EM><\/B><\/A> that:<\/P><br \/>\n<P>1) &#8220;Europeans and North Americans account for 97 percent of scientific accomplishment,&#8221;<br \/>\nEakin notes, based on his inventory of &#8220;eight fields &#8212; astronomy, biology, chemistry, earth<br \/>\nsciences, physics, mathematics, medicine and technology &#8212; as well as a combined index ranking<br \/>\nscientists from all disciplines.&#8221;<\/P><br \/>\n<P>2) While Europe has been the overwhelmingly dominant influence on human achievement &#8212;<br \/>\nas measured by the relative amount of space given in 34 standard reference works in four<br \/>\nlanguages to 4,002 significant people in the arts and sciences &#8212; the European heyday of great<br \/>\naccomplishment is over.<\/P><br \/>\n<P>3) The most influential scientist ever is Newton, followed by Galileo and Aristotle. Then in a<br \/>\nsteep drop come Kepler, Lavoisier, Descartes, Huygens and Laplace, followed by Einstein (ninth<br \/>\non the list), Faraday, Pasteur and Ptolemy. Darwin doesn&#8217;t show up until 17th, after Hooke,<br \/>\nLeibniz, Rutherford and Euler. Finally, Berzelius, Euclid and Maxwell round out the top 20.<\/P><br \/>\n<P>&#8220;For literature, philosophy and visual art,&#8221; Eakin writes, &#8220;Murray decided that unbaised global<br \/>\ninventories were not feasible: the references works were too skewed toward their national<br \/>\ntraditions. So he created separate indexes by culture instead.&#8221;<BR><BR>But if you think the<br \/>\nscientific list is peculiar, perhaps not so much in makeup as in sequence, the list for the giants of<br \/>\nWestern literature will amaze you. Shakespeare comes out first, no surprise. But Goethe ranks<br \/>\nsecond, ahead of Dante (third), Virgil (fourth) and Homer (fifth). There is no Cervantes, no Saint<br \/>\nAugustine and no Saint Thomas Aquinas, to whose humanist influence on Christianity Murray<br \/>\nhimself&nbsp;attributes Western dominance.<\/P><br \/>\n<P>Any listing like this is bound to be questioned. But when it lays claim to qualitative accuracy<br \/>\nbased on a statistical method open to doubt &#8212; Eakins quotes several historians and scholars on its<br \/>\nbiases and value judgments &#8212; it seems a fool&#8217;s errand. <\/P><br \/>\n<P>Murray&#8217;s top 20 literary giants include Petrarch, but no Plato or Lucretius; Euripedes, but no<br \/>\nAeschylus or Sophocles and no Aristophanes; Byron, but no Wordsworth or Keats, and no<br \/>\nChaucer or Milton; it includes Rousseau, Voltaire, Moliere, Racine and Victor Hugo, but not<br \/>\nMontaigne, Balzac, Baudelaire, Stendahl, Flaubert or Proust; Sir Walter Scott but not Jonathan<br \/>\nSwift or Jane Austen; Virgil and Horace but not Ovid. <\/P><br \/>\n<P>Schiller makes the list but not Freud or Thomas Mann; Boccaccio make the list along with<br \/>\nTolstoy and Dostoevsky; but there&#8217;s no Pushkin; Ibsen makes the list but not Chekov; there&#8217;s no<br \/>\nKierkegaard or Nietzsche, Orwell or Joyce, Twain or Faulkner. And what of Yeats or Blake? Not<br \/>\nthere.<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Charles Murray is stirring up trouble again. Emily Eakin&nbsp;reports in &#8220;A Cultural Scorecard Says West Is Ahead&#8221; that he&nbsp;says it&#8217;s not his intention. &#8220;But his record is hard to ignore.&#8221; Murray, the conservative co-author of &#8220;The Bell Curve,&#8221; which put the civilized world in an uproar&nbsp;when it professed&nbsp;that whites were smarter than blacks due to [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-425","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-6R","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/425","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=425"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/425\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=425"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=425"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=425"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}