{"id":415,"date":"2003-10-10T10:28:32","date_gmt":"2003-10-10T17:28:32","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2003\/10\/turow_and_the_death_penalty\/"},"modified":"2003-10-10T10:28:32","modified_gmt":"2003-10-10T17:28:32","slug":"turow_and_the_death_penalty","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2003\/10\/turow_and_the_death_penalty.html","title":{"rendered":"TUROW AND THE DEATH PENALTY"},"content":{"rendered":"<p><P>&#8220;The death penalty is probably the one legal issue that everybody has an opinion about,&#8221; <A\nhref=\"http:\/\/www.scottturow.com\/\"><B><FONT color=#003399><EM>Scott<br \/>\nTurow<\/EM><\/FONT><\/B><\/A> said. The best-selling novelist is out <A\nhref=\"http:\/\/www.fsgbooks.com\/publresultauth2.asp?AUTHLAST=Turow\"><B><EM><FONT\ncolor=#003399>on the lecture circuit<\/FONT><\/EM><\/B><\/A> promoting his latest book from<br \/>\nFarrar, Straus and Giroux, <A\nhref=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/0374128731\/qid=1065792235\/sr=2-1\/ref=sr_2\n_1\/103-3798977-4556652\"><B><EM><FONT color=#003399>&#8220;Ultimate<br \/>\nPunishment,&#8221;<\/FONT><\/EM><\/B><\/A> which he describes as &#8220;a memoir by way of an essay.&#8221; I<br \/>\ncaught his lecture the other night on Manhattan&#8217;s Upper West Side. <\/P><br \/>\n<P>Although Turow, 53, still considers himself an &#8220;agnostic&#8221; when it comes to making moral<br \/>\njudgments about the death penalty, his arguments against execution&nbsp;were wholly<br \/>\npersuasive. I&#8217;ll leave them for the book to elucidate. Equally fascinating to me was his point that<br \/>\nover the years he&#8217;s &#8220;taken all positions&#8221;; he went from a complete idealist who believed in the<br \/>\nessential goodness of human nature when he was a student at Harvard Law to a total Hobbesian<br \/>\nwho believed the opposite when he became a federal prosecutor in his native Chicago. Since then,<br \/>\nhowever, he has reversed his views again and now does <I>pro bono<\/I> work as a defense<br \/>\nattorney in capital cases while&nbsp;continuing to write <A\nhref=\"http:\/\/www.fsgbooks.com\/searchnn.htm\"><B><EM><FONT color=#003399>his<br \/>\nbooks<\/FONT><\/EM><\/B><\/A>.<\/P><br \/>\n<P>When I asked him what he made of the fact that many nations do not have the death penalty,<br \/>\nhe pointed out that the reasons had less to do with morality or even with the idea of deterrence,<br \/>\nwhich he discounts in any case, than with their lower murder rates and, more interesting, their<br \/>\npolitical legacies. The various European countries and most of those in South America that do not<br \/>\nhave the death penalty have had long histories of unstable, authoritarian or totalitarian rule.<br \/>\nExecution by the state as a means of political control left those nations with a deep distrust of the<br \/>\ndeath penalty, he said. The United States, by contrast, with its long history of stable, democratic<br \/>\ngovernment, has rarely resorted to such draconian rule. Thus the death penalty was not freighted<br \/>\nwith the kind of political baggage that discouraged it.<\/P><br \/>\n<P><STRONG><FONT face=Arial color=#003399 size=3>RANDOM<br \/>\nNOTES<\/FONT><FONT size=2><FONT size=1><\/STRONG><\/P><\/FONT><\/FONT><br \/>\n<P>Best title for the governator: <A\nhref=\"http:\/\/www.latimes.com\/news\/custom\/showcase\/la-me-lopez8oct08.column\"><B><FONT\ncolor=#003399><EM>Der Gropenfuhrer<\/EM><\/FONT><\/B><\/A> &#8230; Most overlooked TV<br \/>\ncommentary: <A\nhref=\"http:\/\/www.seeingblack.com\/2003\/x091203\/sexinthecity.shtml\"><B><FONT\ncolor=#003399><EM>chocolate &#8216;Sex&#8217;<\/EM><\/FONT><\/B><\/A> &#8230; Sounds good but:&nbsp;<A\nhref=\"http:\/\/mediabistro.com\/articles\/cache\/a797.asp\"><B><EM><FONT color=#003399>pure<br \/>\nbaloney<\/FONT><\/EM><\/B><\/A> &#8230; Stan Herd: <A\nhref=\"http:\/\/www.stanherd.com\/\"><B><EM><FONT color=#003399>busy environmental<br \/>\nearthworks artist<\/FONT><\/EM><\/B><\/A> &#8230; Nothing brilliant but: <A\nhref=\"http:\/\/villagevoice.com\/sutton\/\"><B><EM><FONT color=#003399>still worth<br \/>\nit<\/FONT><\/EM><\/B><\/A> &#8230;&nbsp; Last and least:&nbsp;<A\nhref=\"http:\/\/www.observer.com\/pages\/frontpage3.asp\"><B><EM><FONT color=#003399>why<br \/>\nall that Seinfeld bother<\/FONT><\/EM><\/B><\/A>?<\/P><br \/>\n<P><STRONG>Postscript:<\/STRONG> When Britney Spear poses nearly nude, it confounds<br \/>\nsome writers. &#8220;To be clear,&#8221; an MSNBC commentary notes, &#8220;there&#8217;s nothing inherently amoral or<br \/>\nscandalous about <A\nhref=\"http:\/\/www.msnbc.com\/news\/978360.asp?0ql=c8p\"><B><EM><FONT\ncolor=#003399>manifesting your sexuality for a mass audience<\/FONT><\/EM><\/B><\/A>.&#8221;<br \/>\nWhat the writer objects to is the pop star&#8217;s poor command of English in an interview that<br \/>\naccompanies her photos. Odd thought: Should a writer&nbsp;who manifests<br \/>\nhis&nbsp;commentary for a mass audience try for plain English himself? Or<br \/>\nshould&nbsp;he&nbsp;get&nbsp;an editor to&nbsp;manifest it for him?<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;The death penalty is probably the one legal issue that everybody has an opinion about,&#8221; Scott Turow said. The best-selling novelist is out on the lecture circuit promoting his latest book from Farrar, Straus and Giroux, &#8220;Ultimate Punishment,&#8221; which he describes as &#8220;a memoir by way of an essay.&#8221; I caught his lecture the other [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-415","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-6H","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/415","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=415"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/415\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=415"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=415"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=415"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}