{"id":412,"date":"2003-10-14T10:42:31","date_gmt":"2003-10-14T17:42:31","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2003\/10\/tarzan_and_der_gropenfuhrer\/"},"modified":"2003-10-14T10:42:31","modified_gmt":"2003-10-14T17:42:31","slug":"tarzan_and_der_gropenfuhrer","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2003\/10\/tarzan_and_der_gropenfuhrer.html","title":{"rendered":"TARZAN AND DER GROPENFUHRER"},"content":{"rendered":"<p><P>The election of Culifornia&#8217;s <I>Gropenfuhrer<\/I> has spawned many articles&nbsp;about the<br \/>\nmeet-cute of fame and power, most recently Anthony Lane&#8217;s Talk of the Town piece, <A\nhref=\"http:\/\/www.newyorker.com\/talk\/content\/?031020ta_talk_lane\"><B><EM><FONT\ncolor=#003399>&#8220;Poll Stars,&#8221;<\/FONT><\/EM><\/B><\/A> in this week&#8217;s New Yorker, and Todd<br \/>\nPurdom&#8217;s Week in Review piece, <A\nhref=\"http:\/\/www.nytimes.com\/2003\/10\/12\/weekinreview\/12PURD.html\"><B><EM><FONT\ncolor=#003399>&#8220;Government by Celebrity &#8230;,&#8221;<\/FONT><\/EM><\/B><\/A> in Sunday&#8217;s New<br \/>\nYork Times. As&nbsp;<EM>Der Gropenfuhrer<\/EM> settles into Sacramento, we&#8217;re bound to<br \/>\nsee many more like them. But the ur-text of&nbsp;that meet-cute is a very funny 1992 British<br \/>\ntelevision series, &#8220;Fame in the 20th century,&#8221; later rebroadcast by PBS, which is unlikely to be<br \/>\nimproved upon for the wisdom it offers.<\/P><br \/>\n<P>One thing you learn from it, besides&nbsp;such pregnant details&nbsp;as<br \/>\nHitler&#8217;s&nbsp;theatrically clever&nbsp;idea &#8220;to enter a rally always from the rear of the<br \/>\nauditorium, so that he appeared to emerge from among the people as the expression of their<br \/>\ndesires, the embodiment of their dreams about a better fate,&#8221; is how far Uncle Sam has come since<br \/>\nthe days when:<\/P><br \/>\n<P><br \/>\n<BLOCKQUOTE>Power was in Washington and fame was in Hollywood. The only fully<br \/>\nequipped American superman was in the movies: Tarzan of the Apes, [whose] ape-call was based<br \/>\non a Tyrolean yodel. If Johnny Weissmuller, like his parents, had been born in Germany, he would<br \/>\nhave provided Hitler with a stunning example of what the master race looked like&nbsp;with its<br \/>\nclothes off. But Weissmuller was raised in America and got the job of Tarzan instead. &#8230;<br \/>\n<P><\/P><br \/>\n<P>Weissmuller&nbsp;had&nbsp;a face off the front porch of the Parthenon. He was a natural to<br \/>\nplay king of the jungle. In one low-budget movie after another he fought to gain the upper hand<br \/>\nover Tarzan&#8217;s deadly enemy &#8212; the dialogue. &#8230; This was where dreams of omnipotence belonged:<br \/>\nin dreamland. The king of the jungle was a sportsman turned actor and the jungle he was king of<br \/>\nwas a hundred yards across at its widest point. Everybody was enchanted and nobody was fooled<br \/>\n&#8230;<\/P><br \/>\n<P>In Europe, the eyebrows of the highbrows were raised in derision at America&#8217;s culture of<br \/>\ndaydreams. But there was one big advantage in confining daydreams to culture. It kept them out<br \/>\nof politics.<\/P><\/BLOCKQUOTE><br \/>\n<P><\/P><br \/>\n<P>The advantage has long since disappeared. If there were any question of<br \/>\nthat,&nbsp;<EM>Der Gropenfuhrer<\/EM> will doubtless try his mighty best to make sure it has<br \/>\nvanished forever. But to wish us back to the dreamland days of Johnny Weissmuller and the<br \/>\nTarzan era, as though they were a model of sanity, is too ridiculous to contemplate. Has anybody<br \/>\ngot a better idea?<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The election of Culifornia&#8217;s Gropenfuhrer has spawned many articles&nbsp;about the meet-cute of fame and power, most recently Anthony Lane&#8217;s Talk of the Town piece, &#8220;Poll Stars,&#8221; in this week&#8217;s New Yorker, and Todd Purdom&#8217;s Week in Review piece, &#8220;Government by Celebrity &#8230;,&#8221; in Sunday&#8217;s New York Times. As&nbsp;Der Gropenfuhrer settles into Sacramento, we&#8217;re bound to [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-412","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-6E","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/412","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=412"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/412\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=412"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=412"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=412"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}