{"id":40265,"date":"2020-06-16T08:42:46","date_gmt":"2020-06-16T12:42:46","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=40265"},"modified":"2020-06-30T10:16:01","modified_gmt":"2020-06-30T14:16:01","slug":"rimbauds-last-words-as-written-by-carl-weissner","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2020\/06\/rimbauds-last-words-as-written-by-carl-weissner.html","title":{"rendered":"Rimbaud&#8217;s Last Words &#8230; as Written by Carl Weissner"},"content":{"rendered":"\n<h4 class=\"has-text-align-center wp-block-heading\"><em>The text, translated and edited from the German, <br>has been produced in an edition limited to 12 copies.<\/em><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"730\" height=\"1024\" data-attachment-id=\"40303\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/rimbaud-death-in-marseille-750-border\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/06\/RIMBAUD.DEATH-IN-MARSEILLE-750-border.png\" data-orig-size=\"750,1052\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"RIMBAUD. DEATH IN MARSEILLE (750) border\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/06\/RIMBAUD.DEATH-IN-MARSEILLE-750-border-214x300.png\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/06\/RIMBAUD.DEATH-IN-MARSEILLE-750-border-730x1024.png\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/06\/RIMBAUD.DEATH-IN-MARSEILLE-750-border-730x1024.png\" alt=\"\" class=\"wp-image-40303\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/06\/RIMBAUD.DEATH-IN-MARSEILLE-750-border-730x1024.png 730w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/06\/RIMBAUD.DEATH-IN-MARSEILLE-750-border-214x300.png 214w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/06\/RIMBAUD.DEATH-IN-MARSEILLE-750-border.png 750w\" sizes=\"auto, (max-width: 730px) 100vw, 730px\" \/><figcaption><em>Designed and printed by Gerard Bellaart on Handmade Barcham\u2019s Green<\/em> <em>paper.<\/em><br><em>Trim size of 328&#215;220 mm.<\/em><\/figcaption><\/figure><\/div>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><em>The edition has been produced in memory of Carl Weissner, <br>who was born on June 19, in 1940.<\/em><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"40296\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/p12-750-border-enh\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/06\/p12-750-border-enh.jpg\" data-orig-size=\"750,1113\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"p12( 750)-border (enh)\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/06\/p12-750-border-enh-202x300.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/06\/p12-750-border-enh-690x1024.jpg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/06\/p12-750-border-enh-690x1024.jpg\" alt=\"\" class=\"wp-image-40296\" width=\"695\" height=\"1031\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/06\/p12-750-border-enh-690x1024.jpg 690w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/06\/p12-750-border-enh-202x300.jpg 202w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/06\/p12-750-border-enh.jpg 750w\" sizes=\"auto, (max-width: 695px) 100vw, 695px\" \/><figcaption><em>A note on the text and translation.<\/em><\/figcaption><\/figure><\/div>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><em><strong><a href=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/06\/a-taste-of-the-translation.png\">Click here for a taste of the translated text. <\/a><\/strong><\/em><\/h4>\n\n\n\n<p><strong>Postscript: <\/strong>June 30\u2014This interview in German from several years before Carl died gives you a sense of him even if you don&#8217;t understand German. His expressions, his gestures, the introspective chuckle, all bring back wonderful memories of the man.<\/p>\n\n\n\n<figure class=\"wp-block-embed-vimeo aligncenter wp-block-embed is-type-video is-provider-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"lateart.tv - Carl Weissner\" src=\"https:\/\/player.vimeo.com\/video\/206389468?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>The text, translated and edited from the German, has been produced by Cold Turkey Press in an edition limited to 12 copies, to pay tribute to the memory of Carl Weissner, who was born on this day, June 16, in 1940.<\/p>\n","protected":false},"author":3,"featured_media":40001,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[26,18,4,23,17],"tags":[],"class_list":{"0":"post-40265","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-books","8":"category-literature","9":"category-main","10":"category-news","11":"category-political-culture","12":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/06\/carl-in-bklyn-heights-Sept-7-2008-foto-2-sharpened-240-copy.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-atr","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/40265","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=40265"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/40265\/revisions"}],"predecessor-version":[{"id":40543,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/40265\/revisions\/40543"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/40001"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=40265"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=40265"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=40265"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}