{"id":394,"date":"2003-10-03T11:19:08","date_gmt":"2003-10-03T18:19:08","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2003\/10\/apropos_of_nothing\/"},"modified":"2003-10-03T11:19:08","modified_gmt":"2003-10-03T18:19:08","slug":"apropos_of_nothing","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2003\/10\/apropos_of_nothing.html","title":{"rendered":"APROPOS OF NOTHING"},"content":{"rendered":"<p><P>Language is alive and wriggling. Herr Doktor Professor Alan M. Edelson sends along this<br \/>\ntale: A linguistics professor was explaining to his class how the use of the double negative varies<br \/>\nin different languages. In English, the double negative results in a positive statement. This is not<br \/>\nnecessarily the case in other languages. But, he said, in no language does a double positive result<br \/>\nin a negative. From the back of the class came a reply: &#8220;Yeah, right!&#8221;<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Language is alive and wriggling. Herr Doktor Professor Alan M. Edelson sends along this tale: A linguistics professor was explaining to his class how the use of the double negative varies in different languages. In English, the double negative results in a positive statement. This is not necessarily the case in other languages. But, he [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-394","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-6m","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/394","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=394"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/394\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=394"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=394"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=394"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}