{"id":39106,"date":"2020-04-20T12:11:56","date_gmt":"2020-04-20T16:11:56","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=39106"},"modified":"2020-05-03T15:18:57","modified_gmt":"2020-05-03T19:18:57","slug":"just-an-arbitrary-notion","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2020\/04\/just-an-arbitrary-notion.html","title":{"rendered":"Just an Arbitrary Notion"},"content":{"rendered":"\n

re: T.S. Eliot on a Monday morning<\/em> in April<\/em><\/h4>\n\n\n\n
\"\"<\/a>
The Waste Land<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"
T.S. Eliot (1933)<\/figcaption><\/figure>\n\n\n\n
\"\"From the Cold Turkey Press folio (2020)<\/em>\n\"\"\n\n\n<\/pre>\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
for a useful meaning
\nno starched collar
\ninked his lines
\nnor the uptight
\nnarrowness
\nof the familiar
\nbank clerk<\/p>\n","protected":false},"author":3,"featured_media":39123,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[26,18,4,23,17],"tags":[],"class_list":{"0":"post-39106","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-books","8":"category-literature","9":"category-main","10":"category-news","11":"category-political-culture","12":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/04\/T.S.-Eliot-1933-365-cropped.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-aaK","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/39106","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=39106"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/39106\/revisions"}],"predecessor-version":[{"id":39403,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/39106\/revisions\/39403"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/39123"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=39106"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=39106"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=39106"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}