{"id":38791,"date":"2020-04-06T09:53:53","date_gmt":"2020-04-06T13:53:53","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=38791"},"modified":"2020-04-17T09:59:25","modified_gmt":"2020-04-17T13:59:25","slug":"shared-thoughts","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2020\/04\/shared-thoughts.html","title":{"rendered":"Shared Thoughts"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"426\" height=\"640\" data-attachment-id=\"38918\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/distraction-recto-border\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/04\/Distraction-Recto-border.jpeg\" data-orig-size=\"426,640\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Distraction (recto) Cold Turkey Press, 2020\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/04\/Distraction-Recto-border-200x300.jpeg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/04\/Distraction-Recto-border.jpeg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/04\/Distraction-Recto-border.jpeg\" alt=\"\" class=\"wp-image-38918\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/04\/Distraction-Recto-border.jpeg 426w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/04\/Distraction-Recto-border-200x300.jpeg 200w\" sizes=\"auto, (max-width: 426px) 100vw, 426px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center\"><em>\u201dWe\u2019re still part of the &#8216;herbage.<\/em>&#8216;<em>\u201d <\/em><br><em>\u201cBetter the fauna than the flora.\u201d<\/em><br>\u2014 from an exchange of emails<\/p>\n\n\n\n<pre class=\"wp-block-verse has-text-align-center\"><strong>&nbsp;<em>DISTRACTION<\/em><\/strong><br><br><strong>The grand pyannah, glorious<\/strong><br><strong>but somewhat out of tune,<br>awaits my amateur tickling.<br>It\u2018s a great distraction.<\/strong><br><strong>Tell me you\u2019re distracted,<br>mowing down the pages<br>of your rare old books<\/strong>.<br><strong><br>They may not suffice<br>to snare the world, but<br>their temptation holds\u2014<br>wanton picturesque\u2014<br>words that swarm<br>over the barricades&nbsp;<br>like soft soliloquies.<\/strong><br><strong><br><em>\u2014 JH<\/em><\/strong><\/pre>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"426\" height=\"660\" data-attachment-id=\"39059\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/michaux-plus-il-trouve-426-brdr\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/04\/michaux-plus-il-trouve-426-brdr.jpg\" data-orig-size=\"426,660\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"michaux &amp;#8216;plus il trouve&amp;#8217; (the page entire from Gerard Bellaart&amp;#8217;s &amp;#8216;destroyed books&amp;#8217; anno 2005)\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/04\/michaux-plus-il-trouve-426-brdr-194x300.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/04\/michaux-plus-il-trouve-426-brdr.jpg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/04\/michaux-plus-il-trouve-426-brdr.jpg\" alt=\"\" class=\"wp-image-39059\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/04\/michaux-plus-il-trouve-426-brdr.jpg 426w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/04\/michaux-plus-il-trouve-426-brdr-194x300.jpg 194w\" sizes=\"auto, (max-width: 426px) 100vw, 426px\" \/><figcaption>Michaux &#8216;plus il trouve&#8217; from Gerard Bellaart&#8217;s &#8216;destroyed books&#8217; (2005)<\/figcaption><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The grand pyannah, glorious<br \/>\nbut somewhat out of tune,<br \/>\nawaits my amateur tickling.<br \/>\nIt\u2018s a great distraction.<br \/>\nTell me you\u2019re distracted,<br \/>\nmowing down the pages<br \/>\nof your rare old books.<\/p>\n","protected":false},"author":3,"featured_media":28800,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18,4,17],"tags":[],"class_list":{"0":"post-38791","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-literature","8":"category-main","9":"category-political-culture","10":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2018\/03\/15-1-2017-1-copyenh-35x25cmcopy.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-a5F","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/38791","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=38791"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/38791\/revisions"}],"predecessor-version":[{"id":39061,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/38791\/revisions\/39061"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/28800"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=38791"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=38791"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=38791"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}