{"id":385,"date":"2003-09-05T12:16:37","date_gmt":"2003-09-05T19:16:37","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2003\/09\/the_language_vampire\/"},"modified":"2003-09-05T12:16:37","modified_gmt":"2003-09-05T19:16:37","slug":"the_language_vampire","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2003\/09\/the_language_vampire.html","title":{"rendered":"THE LANGUAGE VAMPIRE"},"content":{"rendered":"<p><P>&#8220;The intelligence community has imperfect visibility.&#8221; That&#8217;s Secretary of Defense Donald<br \/>\nRumsfeld assessing U.S.&nbsp;confusion on the terrorist threats in Iraq, as quoted today in The<br \/>\nNew York Times. Doncha love the way he slaughters the language?&nbsp;He doesn&#8217;t just drain it<br \/>\nof meaning, he sucks&nbsp;the life out of it.&nbsp;And how about his judgment&nbsp;on<br \/>\nsecurity in Iraq? &#8220;It seems to me that the trajectory we&#8217;re on is a good one.&#8221;&nbsp;Must we<br \/>\ntolerate much more of&nbsp;his gibberish? To call&nbsp;it&nbsp;lying would be charitable. If<br \/>\nonly Evelyn Waugh were still around.<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;The intelligence community has imperfect visibility.&#8221; That&#8217;s Secretary of Defense Donald Rumsfeld assessing U.S.&nbsp;confusion on the terrorist threats in Iraq, as quoted today in The New York Times. Doncha love the way he slaughters the language?&nbsp;He doesn&#8217;t just drain it of meaning, he sucks&nbsp;the life out of it.&nbsp;And how about his judgment&nbsp;on security in Iraq? [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-385","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-6d","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/385","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=385"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/385\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=385"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=385"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=385"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}