not-very-engaging slide
\nshow<\/STRONG><\/EM><\/FONT><\/A> of previous fests. Will somebody please clue The New
\nYorker folks into the technological wonders of the Web? They make the
\nparty look dull, like snapshots from a rumpus room circa 1955.<\/P>
\nAll of today’s Fiction Night<\/FONT><\/STRONG><\/EM><\/A> readings are sold out,
\nexcept for three pairings — Donald Antrim<\/EM><\/STRONG><\/FONT><\/A> and Robert Stone<\/FONT><\/STRONG><\/EM><\/A>‘s, Charles D’Ambrosio<\/FONT><\/STRONG><\/EM><\/A> and Richard Price<\/FONT><\/STRONG><\/EM><\/A>‘s, and Maile
\nMeloy<\/STRONG><\/EM><\/FONT><\/A> and Thomas McGuane<\/STRONG><\/EM><\/FONT><\/A>‘s.
\nPoor kids … left at the altar. I’d bet they’ll be SRO by the time the doors open. Meantime,
\nsince it’s Friday, let’s go out on a low note with laughs: If you haven’t seen it yet, “The Gospel of Supply Side Jesus”<\/FONT><\/STRONG><\/EM><\/A> is just the
\nticket.<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"Here in Gotham City, this is the weekend of The New Yorker Festival. It’s been a lot of fun before, though you’d never know it from this not-very-engaging slide show of previous fests. Will somebody please clue The New Yorker folks into the technological wonders of the Web? They make the party look dull, like snapshots from a rumpus […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-383","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-6b","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/383","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=383"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/383\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=383"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=383"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=383"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}