{"id":38098,"date":"2020-02-13T16:32:05","date_gmt":"2020-02-13T21:32:05","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=38098"},"modified":"2020-02-17T12:00:53","modified_gmt":"2020-02-17T17:00:53","slug":"tls-review-brion-gysin-let-the-mice-in-and-more","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2020\/02\/tls-review-brion-gysin-let-the-mice-in-and-more.html","title":{"rendered":"TLS Review: Brion Gysin Let the Mice In<\/em> (and More)"},"content":{"rendered":"\n
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Click to read the whole review.<\/a><\/figcaption><\/figure>\n\n\n\n

From the review:<\/strong><\/em><\/h3>\n\n\n\n
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. . .<\/h2>\n\n\n\n
\"\"<\/figure><\/div>\n\n\n\n
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Available from Moloko+<\/a><\/figcaption><\/figure><\/div>\n\n\n\n

Now have a look at the newly published facsimile reprint of <\/strong><\/em>Cut Up or Shut Up,<\/strong> originally published in 1972 by \u00c9ditions Agentzia<\/strong><\/em> (click on the cover):<\/strong><\/em><\/h4>\n\n\n\n
\"\"<\/a><\/figure><\/div>\n\n\n\n

<\/p>\n\n\n\n

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From Cut Up or Shut Up,<\/em> written in 1972 by Carl Weissner, J\u00fcrgen Ploog, and Jan Herman.<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

‘Brion Gysin Let the Mice In’ is a key collaborative work. it represents those late 1950s to early 1960s years when Beat writing met European experimentalism. The most sophisticated intelligence of the Beat Generation was permanently affect. <\/p>\n

Gysin is a lucid and witty writer. He gives glimpses of Burroughs at the moment when ‘Naked Lunch’ was being edited for Olympia Press \u2014 as he “ranted through the gargantuan roles of Doc Benway, A.J., Clem & Jody,” or as a drug addict, “through the shadows from one pharmacia to another, hugging a bottle of paregoric … his raincoat glinting like the underbelly of a shark.” <\/p>\n","protected":false},"author":3,"featured_media":38090,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":{"0":"post-38098","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-uncategorized","8":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/02\/gysin-burroughs-dream-machine-750.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-9Uu","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/38098","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=38098"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/38098\/revisions"}],"predecessor-version":[{"id":38163,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/38098\/revisions\/38163"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/38090"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=38098"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=38098"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=38098"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}