{"id":37903,"date":"2020-01-23T00:04:09","date_gmt":"2020-01-23T05:04:09","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=37903"},"modified":"2020-01-23T09:32:01","modified_gmt":"2020-01-23T14:32:01","slug":"i-do-not-think-i-am-thought-i-am-thought-in-action","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2020\/01\/i-do-not-think-i-am-thought-i-am-thought-in-action.html","title":{"rendered":"&#8216;I Do Not Think. I Am Thought. I Am Thought in Action.&#8217;"},"content":{"rendered":"\n<h3 class=\"has-text-align-left wp-block-heading\"><em>Brion Gysin knew how to swing<\/em> <em>it<\/em>.<\/h3>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"420\" height=\"595\" data-attachment-id=\"37901\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/gysin-i-am-that-i-am-bw-brdr-420\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/01\/GYSIN\u2014I-AM-THAT-I-AM-bw-brdr-420.jpg\" data-orig-size=\"420,595\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"GYSIN\u2014I AM THAT I AM (b&amp;#038;w) brdr-420\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/01\/GYSIN\u2014I-AM-THAT-I-AM-bw-brdr-420.jpg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/01\/GYSIN\u2014I-AM-THAT-I-AM-bw-brdr-420.jpg\" alt=\"\" class=\"wp-image-37901\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/01\/GYSIN\u2014I-AM-THAT-I-AM-bw-brdr-420.jpg 420w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/01\/GYSIN\u2014I-AM-THAT-I-AM-bw-brdr-420-212x300.jpg 212w\" sizes=\"auto, (max-width: 420px) 100vw, 420px\" \/><figcaption>From <a href=\"http:\/\/www.molokoplusrecords.de\/finder.php?folder=Print&amp;content=100\"><em><strong>Brion Gysin Let the Mice In<\/strong><\/em> <\/a><\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-left\"><strong><em>I am that I am that I happen. <br>I am a resultant.<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u2014a coincidence of fields. <br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Am is my here. <br> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;That is I there. <br>What am I here for? . . . <br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I am here to go. <\/em><\/strong> <\/p>\n\n\n\n<p class=\"has-text-align-left\"><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"37902\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/gysin-mice-moloko-cover\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/01\/GYSIN-MICE-moloko-cover.jpg\" data-orig-size=\"280,424\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"GYSIN MICE moloko cover\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/01\/GYSIN-MICE-moloko-cover.jpg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/01\/GYSIN-MICE-moloko-cover.jpg\" alt=\"\" class=\"wp-image-37902\" width=\"257\" height=\"389\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/01\/GYSIN-MICE-moloko-cover.jpg 280w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/01\/GYSIN-MICE-moloko-cover-198x300.jpg 198w\" sizes=\"auto, (max-width: 257px) 100vw, 257px\" \/><figcaption><a href=\"http:\/\/www.molokoplusrecords.de\/finder.php?folder=Print&amp;content=100\">Published by <em>Moloko+<\/em> (2019)<\/a><\/figcaption><\/figure><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I am that I am that I happen. \/<br \/>\nI am a resultant. \/<br \/>\n                \u2014a coincidence of fields. \/<br \/>\n                Am is my here. \/<br \/>\n               That is I there. \/<br \/>\nWhat am I here for? . . . \/<br \/>\n                I am here to go. \/<br \/>\nWhen the magnetic fields shift \/ There \/ is no here. \/ I am gone.<\/p>\n","protected":false},"author":3,"featured_media":37902,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,26,18,4,23,17],"tags":[],"class_list":{"0":"post-37903","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-books","9":"category-literature","10":"category-main","11":"category-news","12":"category-political-culture","13":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/01\/GYSIN-MICE-moloko-cover.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-9Rl","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/37903","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=37903"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/37903\/revisions"}],"predecessor-version":[{"id":37961,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/37903\/revisions\/37961"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/37902"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=37903"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=37903"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=37903"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}