{"id":379,"date":"2003-09-04T11:54:00","date_gmt":"2003-09-04T18:54:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2003\/09\/real_africans_getting_real_tv\/"},"modified":"2003-09-04T11:54:00","modified_gmt":"2003-09-04T18:54:00","slug":"real_africans_getting_real_tv","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2003\/09\/real_africans_getting_real_tv.html","title":{"rendered":"REAL AFRICANS GETTING REAL TV?"},"content":{"rendered":"<p><P>Maybe I shouldn&#8217;t have doubted Tom Friedman when he claimed that <EM><STRONG><A\nhref=\"http:\/\/www.lebanonwire.com\/0308\/03082010DS.asp\"><FONT\ncolor=#003399>&#8220;Superstar,&#8221;<\/FONT><\/A><\/STRONG><\/EM> the Arabic version of<br \/>\n&#8220;American Idol,&#8221; was&nbsp;a <A\nhref=\"http:\/\/www.artsjournal.com\/herman\/archives20030831.shtml#51034\"><FONT\ncolor=#003399><EM><STRONG>force for democracy<\/STRONG><\/EM><\/FONT><\/A> in<br \/>\nthe Middle East. Today comes word that another reality TV show, &#8220;Big Brother Africa,&#8221; has<br \/>\nroughly 30 million viewers in across that continent. From Nigeria to Botswana, Kenya to South<br \/>\nAfrica, the show has become &#8220;a Rosrschach test of Africans&#8217; views of themselves,&#8221; <A\nhref=\"http:\/\/www.nytimes.com\/2003\/09\/04\/international\/africa\/04BIGB.html\"><EM><STRONG\n><FONT color=#003399>Marc Lacey reports<\/FONT><\/STRONG><\/EM><\/A>. <EM>(Free<br \/>\nregistration required.)<\/EM><\/P><br \/>\n<P>Using a formula already familiar to American and European TV viewers, the<br \/>\nproducers&nbsp;intalled a group of strangers in a house in Johannesburg and televised their trials,<br \/>\ntribulations and foibles &#8212; including all the usual bickering and romantic liaisons, not excluding<br \/>\nbreakfast belches, kissing and &#8220;shower hour&#8221; peeking.<\/P><br \/>\n<P>The Malawi parliament has banned the show. Religious leaders have denounced it. But, Lacey<br \/>\nwrites, its many&nbsp;fans have invoked a subtle&nbsp;theme in its defense: the idea of<br \/>\ndemocracy. &#8220;The contestants are nominated for eviction by their housemates and then voted off<br \/>\nby viewers on the Internet or by cellphone text messaging. The will of the people decides how the<br \/>\nshow unfolds.&#8221;<\/P><br \/>\n<P>In a region of the world where Big Brother is a reality and democracy a rarity, the mere<br \/>\ndisplay of such a social system no matter how trivial or contrived has educational value and,<br \/>\nLacey writes,&nbsp;sends a message to authoritarian rulers. This is the same argument Friedman<br \/>\nmade for &#8220;Superstar.&#8221; <\/P><br \/>\n<P>First thought: If they&#8217;re right, will&nbsp;we soon see the U.S. military command in Baghdad<br \/>\nproducing reality TV shows? Second thought: Not if it requires electricity.<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Maybe I shouldn&#8217;t have doubted Tom Friedman when he claimed that &#8220;Superstar,&#8221; the Arabic version of &#8220;American Idol,&#8221; was&nbsp;a force for democracy in the Middle East. Today comes word that another reality TV show, &#8220;Big Brother Africa,&#8221; has roughly 30 million viewers in across that continent. From Nigeria to Botswana, Kenya to South Africa, the [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-379","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-67","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/379","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=379"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/379\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=379"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=379"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=379"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}