{"id":37781,"date":"2020-01-13T10:14:05","date_gmt":"2020-01-13T15:14:05","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=37781"},"modified":"2020-01-13T10:14:12","modified_gmt":"2020-01-13T15:14:12","slug":"kurt-wold-stradoferous","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2020\/01\/kurt-wold-stradoferous.html","title":{"rendered":"Kurt Wold: &#8216;Stradoferous&#8217;"},"content":{"rendered":"\n<h2 class=\"has-text-align-center wp-block-heading\">&#8216;<em>I dreamt I could play the bicycle.&#8217;<\/em><\/h2>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/HMawmUeziZI?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p>&#8220;This <a href=\"http:\/\/kurtwold.com\/KURT_WOLD\/I_Dreamt_I_Could_Play_the_Bicycle.html\">performance artwork<\/a> plays with a number of themes, not the least of which is the continual contemporary pressure to present oneself as larger-than-life, in the hope that one might be noticed in a distracted culture. Of course the work also revels in those distractions.&#8221; <em>\u2014 <a href=\"http:\/\/kurtwold.com\/KURT_WOLD\/Artists_Statement.html\">Kurt Wold<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cI dreamt I could play the bicycle. This performance artwork plays with a number of themes, not the least of which is the continual contemporary pressure to present oneself as larger-than-life, in the hope that one might be noticed in a distracted culture. Of course the work also revels in those distractions.\u201d \u2014 Kurt Wold<\/p>\n","protected":false},"author":3,"featured_media":37826,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,4,20,22,23,17],"tags":[],"class_list":{"0":"post-37781","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-main","9":"category-media","10":"category-music","11":"category-news","12":"category-political-culture","13":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/01\/KURT-WOLD-performing-Dueling-Stradoferous.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-9Pn","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/37781","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=37781"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/37781\/revisions"}],"predecessor-version":[{"id":37825,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/37781\/revisions\/37825"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/37826"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=37781"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=37781"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=37781"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}