{"id":37723,"date":"2020-01-06T10:57:16","date_gmt":"2020-01-06T15:57:16","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=37723"},"modified":"2020-01-06T11:37:28","modified_gmt":"2020-01-06T16:37:28","slug":"and-from-the-outlaw-end-of-the-writing-spectrum","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2020\/01\/and-from-the-outlaw-end-of-the-writing-spectrum.html","title":{"rendered":"And From the Outlaw End of the Writing Spectrum"},"content":{"rendered":"\n
\"Charles
Charles Plymell
[Photo \u00a9 by Mark Reinertson]<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

‘Charles Plymell: <\/a><\/em><\/h3>\n\n\n\n

Outlaw Poet & Original Punk’ <\/a><\/em><\/h3>\n\n\n\n

An Interview by Benito Vila<\/a><\/em><\/h3>\n\n\n\n

Charming. Gritty. Flat-out. Excitable. Real. Those are words that describe poet Charley Plymell, a somewhat mythic creature who has always been resistant to labels or definition. He is said to have connected the Beats and the Hippies in his San Francisco apartment, although, even today, Plymell remains a rabble-rouser who pre-dates all that cultural branding and simply describes himself as a punk from Wichita. . . .<\/p>

At age 84, Plymell continues to write, publish and perform\u2014\u201cdoing nuttin\u201d, as he says\u2014from his home in Cherry Valley, New York. His activities keep Plymell in steady correspondence with a crowd of like-minded hellions, including rockabilly\u2019s Bloodshot Bill, Sonic Youth founders Kim Gordon and Thurston Moore, bassist Mike Watt, filmmaker Mark Hanlon, guitarist Bill Nace, photographer Philip Scalia and musicologist Byron Coley. Plymell and his wife, Pam, first happened upon Cherry Valley in late 1969 in coming to visit Allen Ginsberg and Peter Orlovsky at their East Hill farm. Moving there for good in early 1970, the Plymells have set into adding to their immense creative legacy. \u2014 Benito Vila<\/em><\/p><\/blockquote>\n\n\n\n

Read the complete interview at Vila’s blog: PLEASE KILL ME<\/a>.<\/em><\/h4>\n\n\n\n
\"\"
Charles Plymell in Cherry Valley, NY.
[Photo courtesy of Lisa Marie J\u00e4rlborn]<\/em> via ‘Please Kill Me’<\/figcaption><\/figure>\n\n\n\n

<\/h4>\n","protected":false},"excerpt":{"rendered":"

“At age 84, Plymell continues to write, publish and perform\u2014\u201cdoing nuttin\u201d, as he says\u2014from his home in Cherry Valley, New York. His activities keep Plymell in steady correspondence with a crowd of like-minded hellions, including rockabilly\u2019s Bloodshot Bill, Sonic Youth founders Kim Gordon and Thurston Moore, bassist Mike Watt, filmmaker Mark Hanlon, guitarist Bill Nace, photographer Philip Scalia and musicologist Byron Coley. Plymell and his wife, Pam, first happened upon Cherry Valley in late 1969 in coming to visit Allen Ginsberg and Peter Orlovsky at their East Hill farm. Moving there for good in early 1970, the Plymells have set into adding to their immense creative legacy.” \u2013 Benito Vila<\/p>\n","protected":false},"author":3,"featured_media":37737,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,26,18,4,20,23,17],"tags":[],"class_list":{"0":"post-37723","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-books","9":"category-literature","10":"category-main","11":"category-media","12":"category-news","13":"category-political-culture","14":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/01\/Charley-Plymell-at-farm.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-9Or","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/37723","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=37723"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/37723\/revisions"}],"predecessor-version":[{"id":37751,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/37723\/revisions\/37751"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/37737"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=37723"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=37723"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=37723"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}