{"id":37568,"date":"2020-01-01T13:06:32","date_gmt":"2020-01-01T18:06:32","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=37568"},"modified":"2020-01-01T13:37:00","modified_gmt":"2020-01-01T18:37:00","slug":"before-the-day-is-over","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2020\/01\/before-the-day-is-over.html","title":{"rendered":"Before the Day Is Over . . ."},"content":{"rendered":"\n

… and the occasion becomes a nothing burger, here are a few greetings for the New Year … <\/p>\n\n\n\n

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from J\u00fcrgen Schneider<\/a> <\/figcaption><\/figure><\/div>\n\n\n\n
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from Frank Diersch<\/a><\/figcaption><\/figure><\/div>\n\n\n\n
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from Gerard Bellaart<\/a> “A view of Dordrecht” by Jan van Goyen<\/a> (1596\u20131656)<\/em><\/figcaption><\/figure><\/div>\n\n\n\n
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from Charles Plymell<\/a><\/figcaption><\/figure><\/div>\n\n\n\n

<\/pre>\n","protected":false},"excerpt":{"rendered":"
… and the occasion becomes a nothing burger, here are a few greetings for the New Year … from J\u00fcrgen Schneider, Frank Diersch, Gerard Bellaart, and Charles Plymell.<\/p>\n","protected":false},"author":3,"featured_media":37576,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,18,4,23,17],"tags":[],"class_list":{"0":"post-37568","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-literature","9":"category-main","10":"category-news","11":"category-political-culture","12":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2020\/01\/from-Gerard-Bellaart-a-view-of-Dordrecht-by-Jan-van-Goyen1596\u20131656-750.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-9LW","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/37568","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=37568"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/37568\/revisions"}],"predecessor-version":[{"id":37602,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/37568\/revisions\/37602"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/37576"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=37568"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=37568"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=37568"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}