{"id":375,"date":"2003-09-18T10:35:39","date_gmt":"2003-09-18T17:35:39","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2003\/09\/ground_zeros_foundations\/"},"modified":"2003-09-18T10:35:39","modified_gmt":"2003-09-18T17:35:39","slug":"ground_zeros_foundations","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2003\/09\/ground_zeros_foundations.html","title":{"rendered":"GROUND ZERO&#8217;S &#8216;FOUNDATIONS&#8217;"},"content":{"rendered":"<p><P>The revised plans for &#8220;Memory Foundations&#8221; at Ground Zero are out. Architect Daniel<br \/>\nLibeskind and the Lower Manhattan Development Corporation made them public yesterday.<br \/>\nHere&#8217;s a <A\nhref=\"http:\/\/www.nynewsday.com\/news\/local\/manhattan\/wtc\/nyc-wtc0918.story\"><FONT\ncolor=#003399><EM><STRONG>quick news<br \/>\nsummary<\/STRONG><\/EM><\/FONT><\/A>,&nbsp;and here&#8217;s a&nbsp;<A\nhref=\"http:\/\/www.nytimes.com\/2003\/09\/18\/nyregion\/18SITE.html\"><STRONG><EM><FONT\ncolor=#003399>more thorough report<\/FONT><\/EM><\/STRONG><\/A>&nbsp;<EM>(free<br \/>\nregistration required).<\/EM>&nbsp;The plans still call for the world&#8217;s tallest structure but also for<br \/>\nslimmer office buildings and boxier designs than the angular structures Libeskind at first<br \/>\nenvisioned.<\/P><br \/>\n<P>Here&#8217;s <A href=\"http:\/\/www.nytimes.com\/2003\/09\/18\/nyregion\/18APPR.html\"><FONT\ncolor=#003399><STRONG><EM>what architecture critic Herbert Muschamp had to<br \/>\nsay<\/EM><\/STRONG><\/FONT><\/A> <EM>(free registration required).<\/EM><br \/>\nHe&#8217;s&nbsp;underwhelmed.&nbsp;Here&#8217;s <EM><STRONG><A\nhref=\"http:\/\/www.renewnyc.com\/plan_des_dev\/wtc_site\/new_design_plans\/selected_libeskind\/Se\npt2003Statement.asp\"><FONT color=#003399>what Libeskind himself had to<br \/>\nsay<\/FONT><\/A><\/STRONG><\/EM>. He&#8217;s happy. Have a look at <A\nhref=\"http:\/\/www.renewnyc.com\/plan_des_dev\/wtc_site\/new_design_plans\/selected_libeskind\/slid\nes\/slide1.asp\"><STRONG><EM><FONT color=#003399>his complete slide<br \/>\nshow<\/FONT><\/EM><\/STRONG><\/A>&nbsp;and what&nbsp;he calls<A\nhref=\"http:\/\/www.renewnyc.com\/plan_des_dev\/wtc_site\/new_design_plans\/selected_libeskind\/ind\nv_elements.asp\"><EM><STRONG><FONT color=#003399> the signature<br \/>\nimages<\/FONT><\/STRONG><\/EM><\/A>.&nbsp;Here&#8217;s the <A\nhref=\"http:\/\/www.renewnyc.com\/plan_des_dev\/wtc_site\/new_design_plans\/Sept_2003_refined_d\nesign.asp\"><EM><STRONG><FONT color=#003399>&#8220;refined master site<br \/>\nplan&#8221;<\/FONT><\/STRONG><\/EM><\/A> and schematic&nbsp;images of both the original and<br \/>\nrevised designs, <A\nhref=\"http:\/\/www.nynewsday.com\/news\/local\/manhattan\/wtc\/nyc-lmdcreport0917,0,5680086.pho\ntogallery?index=4\"><EM><STRONG><FONT color=#003399>February 2003 vs. September<br \/>\n2003<\/FONT><\/STRONG><\/EM><\/A>. Here, too, is a <A\nhref=\"http:\/\/www.nynewsday.com\/news\/local\/manhattan\/wtc\/nyc-pathtour0917.realvideo\"><EM\n><STRONG><FONT color=#003399>virtual&nbsp;tour<\/FONT><\/STRONG><\/EM><\/A> of<br \/>\nthe train station now being built on the site. <\/P><br \/>\n<P>For an official overview recapping the history of the design-selection process, <A\nhref=\"http:\/\/www.renewnyc.com\/plan_des_dev\/wtc_site\/Sept2003Overview.asp\"><STRONG><\nEM><FONT color=#003399>go here<\/FONT><\/EM><\/STRONG><\/A>; also have a look at an<br \/>\ninformal&nbsp;<A href=\"http:\/\/www.renewnyc.com\/PhotoArchive\/timeline.shtml\"><FONT\ncolor=#003399><EM><STRONG>photo<br \/>\narchive<\/STRONG><\/EM><\/FONT><\/A>&nbsp;showing a timeline of developments in and<br \/>\naround Ground Zero, as well as black-and-white illustrations of the <A\nhref=\"http:\/\/www.renewnyc.com\/PhotoArchive\/viewingwall.shtml\"><FONT\ncolor=#003399><EM><STRONG>&#8220;viewing wall&#8221;<\/STRONG><\/EM><\/FONT><\/A> at the<br \/>\nreconstruction site. (The wall images are worth seeing, but the texts are illegible.) Need to refresh<br \/>\nyour memory about the memorial itself? Here&#8217;s&nbsp;the <A\nhref=\"http:\/\/www.renewnyc.com\/Memorial\/memmission.shtml\"><EM><STRONG><FONT\ncolor=#003399>mission statement<\/FONT><\/STRONG><\/EM><\/A>, and here are details about<br \/>\n<A href=\"http:\/\/www.renewnyc.com\/Memorial\/competition.shtml\"><EM><STRONG><FONT\ncolor=#003399>the competition<\/FONT><\/STRONG><\/EM><\/A>.<\/P><br \/>\n<P>Since Ground Zero and the surrounding&nbsp;neighborhood have become major tourist<br \/>\n&#8220;attractions,&#8221; it&#8217;s worth having a look at some&nbsp;nearby points of interest,&nbsp;such<br \/>\nas&nbsp;the <A href=\"http:\/\/www.nmai.si.edu\"><STRONG><EM><FONT\ncolor=#003399>National Museum of the American Indian<\/FONT><\/EM><\/STRONG><\/A>,<br \/>\nthe <EM><STRONG><A href=\"http:\/\/www.moca-nyc.org\/MoCA\/content.asp\"><FONT\ncolor=#003399>Museum of Chinese in<br \/>\nthe&nbsp;Americas<\/FONT><\/A><\/STRONG><\/EM>&nbsp;and the <A\nhref=\"http:\/\/www.frauncestavernmuseum.org\"><FONT\ncolor=#003399><STRONG><EM>Fraunces Tavern<br \/>\nMuseum<\/EM><\/STRONG><\/FONT><\/A>, which includes the Long Room, (a restored version<br \/>\nof the 18th century public dining room) where George Washington made his famous farewell to<br \/>\nhis officers at the end of the Revolution; <A href=\"http:\/\/www.nycfiremuseum.org\/\"><FONT\ncolor=#003399><EM><STRONG>The New York City Fire<br \/>\nMuseum<\/STRONG><\/EM><\/FONT><\/A>&nbsp;and <FONT color=#003399><A\nhref=\"http:\/\/www.nycpolicemuseum.org\/\"><FONT color=#003399><EM><STRONG>The New<br \/>\nYork City Police Museum<\/STRONG><\/EM><\/FONT><\/A><FONT color=#000000>. And let&#8217;s<br \/>\nnot forget the<\/FONT><\/FONT>&nbsp;<EM><A href=\"http:\/\/www.newmuseum.org\/\"><FONT\ncolor=#003399><STRONG>New Museum of Contemporary<br \/>\nArt<\/STRONG><\/FONT><\/A>.<\/EM><\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The revised plans for &#8220;Memory Foundations&#8221; at Ground Zero are out. Architect Daniel Libeskind and the Lower Manhattan Development Corporation made them public yesterday. Here&#8217;s a quick news summary,&nbsp;and here&#8217;s a&nbsp;more thorough report&nbsp;(free registration required).&nbsp;The plans still call for the world&#8217;s tallest structure but also for slimmer office buildings and boxier designs than the angular [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-375","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-63","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/375","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=375"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/375\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=375"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=375"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=375"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}