{"id":37472,"date":"2019-12-31T08:06:51","date_gmt":"2019-12-31T13:06:51","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=37472"},"modified":"2019-12-31T08:06:58","modified_gmt":"2019-12-31T13:06:58","slug":"malcolm-ritchie-the-wake","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2019\/12\/malcolm-ritchie-the-wake.html","title":{"rendered":"Malcolm Ritchie: &#8216;The Wake&#8217;"},"content":{"rendered":"\n<p>&#8220;&#8230; we killed a few bottles \/ and drank to the dead &#8230;&#8221; <\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"37458\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/malcolm-ritchie-the-wake-ct-recto-365\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/12\/malcolm-ritchie-THE-WAKE-CT-recto-365.jpg\" data-orig-size=\"365,547\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"&amp;#8216;The Wake&amp;#8217; by Malcolm Ritchie with drawing by Gerard Bellaart [Cold Turkey Press, 2019]\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/12\/malcolm-ritchie-THE-WAKE-CT-recto-365.jpg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/12\/malcolm-ritchie-THE-WAKE-CT-recto-365.jpg\" alt=\"\" class=\"wp-image-37458\" width=\"358\" height=\"537\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/12\/malcolm-ritchie-THE-WAKE-CT-recto-365.jpg 365w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/12\/malcolm-ritchie-THE-WAKE-CT-recto-365-200x300.jpg 200w\" sizes=\"auto, (max-width: 358px) 100vw, 358px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-left\"><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"37459\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/malcolm-ritchie-the-wake-ct-verso-365\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/12\/malcolm-ritchie-THE-WAKE-CT-verso-365.png\" data-orig-size=\"365,547\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"&amp;#8216;The Wake&amp;#8217; by Malcolm Ritchie [Cold Turkey Press, 2019]\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/12\/malcolm-ritchie-THE-WAKE-CT-verso-365.png\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/12\/malcolm-ritchie-THE-WAKE-CT-verso-365.png\" alt=\"\" class=\"wp-image-37459\" width=\"357\" height=\"536\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/12\/malcolm-ritchie-THE-WAKE-CT-verso-365.png 365w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/12\/malcolm-ritchie-THE-WAKE-CT-verso-365-200x300.png 200w\" sizes=\"auto, (max-width: 357px) 100vw, 357px\" \/><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;&#8230; we killed a few bottles \/ and drank to the dead &#8230;&#8221; \u2014 Malcolm Ritchie<\/p>\n","protected":false},"author":3,"featured_media":37458,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,18,4,23,17],"tags":[],"class_list":{"0":"post-37472","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-literature","9":"category-main","10":"category-news","11":"category-political-culture","12":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/12\/malcolm-ritchie-THE-WAKE-CT-recto-365.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-9Ko","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/37472","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=37472"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/37472\/revisions"}],"predecessor-version":[{"id":37560,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/37472\/revisions\/37560"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/37458"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=37472"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=37472"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=37472"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}