{"id":36875,"date":"2019-12-23T10:56:01","date_gmt":"2019-12-23T15:56:01","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=36875"},"modified":"2019-12-24T08:19:20","modified_gmt":"2019-12-24T13:19:20","slug":"its-that-time-of-year","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2019\/12\/its-that-time-of-year.html","title":{"rendered":"It&#8217;s That Time of Year . . ."},"content":{"rendered":"\n<p>. . . when it seems that everybody is looking back over their shoulder more with nostalgia than disgust. <\/p>\n\n\n\n<pre class=\"wp-block-preformatted\">Should&nbsp;old&nbsp;acquaintance be forgot,\nand never brought to mind?\nShould&nbsp;old&nbsp;acquaintance be forgot,\nand&nbsp;old&nbsp;lang syne?<\/pre>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"240\" height=\"182\" data-attachment-id=\"37342\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/roger-groening-montrose-pix-240-enh\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/12\/roger-groening-montrose-pix-240-enh.jpg\" data-orig-size=\"240,182\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Roger Groening [Montrose Pix)\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/12\/roger-groening-montrose-pix-240-enh.jpg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/12\/roger-groening-montrose-pix-240-enh.jpg\" alt=\"\" class=\"wp-image-37342\"\/><figcaption><em>Roger Groening<\/em> [<a href=\"https:\/\/www.youtube.com\/watch?v=OKwQuyQnqzQ\">Montrose Pix<\/a>]<\/figcaption><\/figure><\/div>\n\n\n\n<p>I am not immune. Scrolling through some old emails, I came across this one called <em>&#8220;from NELSON ALGREN&#8217;S LETTERS TO RAJAH.&#8221;<\/em> Rajah was <a href=\"http:\/\/www.artsjournal.com\/herman\/2006\/03\/for_the_love_of_algren.html\">Roger Groening<\/a>, a friend of Nelson&#8217;s and later of mine. Roger died in 2015. I think of him often. He and Nelson became friends, initially by mail, when Roger wrote him a fan letter. They remained friends for roughly 20 years until   Nelson&#8217;s death, in 1981. <\/p>\n\n\n\n<p>Books, movies, and boxing were the three main subjects that cemented their friendship.  Nelson often unloaded his sharpest opinions on Roger, knowing that he had a discerning audience who read as many books as he did (possibly more), who followed the fights, and who knew as well as anyone, especially when it came to movies, what he was talking about.  In the spirit of &#8220;Auld Lang Syne,&#8221; here are excerpts from the email, copied from Nelson&#8217;s letter. Nelson wrote it from Chicago on the stationery of the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Hotel_Chelsea\">Hotel Chelsea<\/a>, where he sometimes stayed when he came to New York.  <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">31 March &#8217;74<\/h2>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>Terry Southern simply died.   It seems that, the same week he got into the establishment by the backdoor, he put up an electrified barbed-wire fence and unleashed half a dozen Dobermann-pinschers to police his grounds. What it took John Dos Passos a lifetime to complete\u2014the circle from left to right\u2014Southern achieved in days. I haven&#8217;t been able to read him since&nbsp;<em>Blue Movie.<\/em> <em>[Algren had been a strong supporter of  Southern&#8217;s fiction.]<\/em><\/p><p>. . . I like those early Simenons because they&#8217;re so crude compared to his later stuff. You can see him learning as he goes.<\/p><p>I don&#8217;t really have any beef against Graham Greene because I haven&#8217;t read enough of him. I did pick up a book of his once, which was placed in Saigon and was utterly false. Then I read&nbsp;<em>Travels With My Aunt,<\/em>&nbsp;which was just facile. If I&#8217;d read his better stuff I&#8217;d be more respectful I suppose.&nbsp;. . .<\/p><p>[Rubin] Carter is the sanest man I\u2019ve ever met. When I commented on his civilian dress he answered flatly, \u201cI don\u2019t wear prison dress. Why should I? I\u2019m not supposed to be here.\u201d When they put him on a prison detail, he turned it down just as flat: \u201cI love work. But for 80 cents a day? Not on your life.\u201d<\/p><p>So they just let him alone. He sleeps during the day and does his own work at night. He doesn\u2019t fuck with anybody, black or white, in the joint, and they\u2019re contented to stay out of his way. If he doesn\u2019t like somebody\u2019s approach he tells him to fuck off, that\u2019s all.<\/p><p>\u201cSomebody sent two elite black dudes down to see me from Harvard,\u201d he told me, \u201csociologists, anthropologists, psychologists \u2013 whatever. I seen them coming. I knew they\u2019d give me that Flip Wilson soul-slap handshake-roll-the-hips, all of<em>that,&nbsp;<\/em>and one did. By the time he did, my hands were behind my back. \u201cGet the fuck out,\u201d I told them. \u201cThey got out.\u201d<\/p><p>The transcripts of his trial support his story.<\/p><p> <\/p><\/blockquote>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"37321\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/2019\/12\/its-that-time-of-year.html\/image\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/12\/image.png\" data-orig-size=\"260,170\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"image\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/12\/image.png\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/12\/image.png\" alt=\"\" class=\"wp-image-37321\" width=\"246\" height=\"161\"\/><figcaption><em>Nelson Algren<\/em> [<a href=\"https:\/\/www.youtube.com\/watch?v=OKwQuyQnqzQ\">Montrose Pix<\/a>]<\/figcaption><\/figure><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p> Gawd\u2014are you only 33? I\u2019m perpetually amazed to find friends are only&nbsp;<em>half<\/em>&nbsp;my age. It strikes me funny. And also makes me wonder where all those people go who were 33 when&nbsp;<em>I<\/em>&nbsp;was 33?<\/p><p>Jesus, I was going into the army and was mad as hell about it. I couldn\u2019t imagine what they wanted&nbsp;<em>me<\/em>&nbsp;for. A question they never were able to figure out. Now, when I run into a 33-year-old I assume all my old troubles were his. Until he tells me he wasn\u2019t 33 then, he was 2.<\/p><p>Nonetheless, I\u2019m sufficiently aware of being 65 to register for whatever it is you register for. All I know is I get on buses now for 20c and into the grandstand at Sportsman\u2019s Park for half a buck.<\/p><p>. . . \u201cMean Streets\u201d really was fine. No comparison to \u201cThe Godfather.\u201d First time I\u2019d seen a film that was about actual people, in a long time. So is \u201cThe Last Detail,\u201d which I know you won\u2019t miss. Another goodie is \u201cThieves Like Us.\u201d \u201cBang the Drum Slowly\u201d and \u201cThe Sting\u201d were also good movies; but just movies. \u201cUlysses in Nightown\u201d is now a Broadway spectacle, with nothing left of Joyce except Mulligan shaving and Molly giving her daydream in the nude. Cast of thousands, full of sado-masochism. [Zero] Mostel wasn\u2019t even great Mostel. But the simplicity of Leopold Bloom, and of Joyce, is lost.<\/p><p>The Jim Farrell show, via Vonnegut, I caught. It was an innocent question, and the answer wasn\u2019t bad.&nbsp; Because it\u2019s true I never really tried to make friends in the lit establishment. Who needs a large circle of friends? Every once in a while somebody rings the doorbell here, and when I holler down, \u201cWho\u2019s there?\u201d the voice comes up, \u201cMr. Algren, I\u2019m a&nbsp;<em>fan<\/em>&nbsp;of yours.\u201d&nbsp; To which my standard answer is, \u201cI\u2019m not running for office\u201d and close the door. That leaves both of us better off. . . . <\/p><p><\/p><\/blockquote>\n\n\n\n<pre class=\"wp-block-verse\">And there's a hand my trusty&nbsp;friend!<br>And&nbsp;give me&nbsp;a hand o' thine!<br>And we'll&nbsp;take&nbsp;a right&nbsp;good-will draught,<br>for auld lang syne.<br><br><\/pre>\n","protected":false},"excerpt":{"rendered":"<p>. . . when it seems that everybody is looking back over their shoulder more with nostalgia than disgust. I am not immune.  Scrolling through some old emails, I came across this one called &#8220;from NELSON ALGREN&#8217;S LETTERS TO RAJAH.&#8221; Rajah was Roger Groening, a friend of Nelson&#8217;s and later of mine. Roger died in 2015. I think of him often. He and Nelson became friends, initially by mail, when Roger wrote him a fan letter. They remained friends for some 20 years until   Nelson&#8217;s death, in 1981. <\/p>\n","protected":false},"author":3,"featured_media":37342,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[26,18,4,21,23,17,1],"tags":[],"class_list":{"0":"post-36875","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-books","8":"category-literature","9":"category-main","10":"category-movies","11":"category-news","12":"category-political-culture","13":"category-uncategorized","14":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/12\/roger-groening-montrose-pix-240-enh.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-9AL","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/36875","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=36875"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/36875\/revisions"}],"predecessor-version":[{"id":37350,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/36875\/revisions\/37350"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/37342"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=36875"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=36875"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=36875"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}