{"id":367,"date":"2003-09-11T09:22:55","date_gmt":"2003-09-11T16:22:55","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2003\/09\/911\/"},"modified":"2003-09-11T09:22:55","modified_gmt":"2003-09-11T16:22:55","slug":"911","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2003\/09\/911.html","title":{"rendered":"9\/11"},"content":{"rendered":"<p><P>The nation mourns. Gee Dubya Shrub exploits. That, in so many words, is the gist of <A\nhref=\"http:\/\/www.washingtonpost.com\/wp-dyn\/articles\/A57456-2003Sep10.html\"><EM><STRO\nNG><FONT color=#003399>a report in today&#8217;s Washington<br \/>\nPost<\/FONT><\/STRONG><\/EM><\/A>:<\/P><br \/>\n<P><br \/>\n<BLOCKQUOTE>In the past six weeks, Bush has cited &#8220;9\/11&#8221; or Sept. 11, 2001, in arguing for<br \/>\nhis energy policy and in response to questions about campaign fundraising, tax cuts,<br \/>\nunemployment, the deficit, airport security, Afghanistan and the length, cost and death toll of the<br \/>\nIraq occupation.<\/BLOCKQUOTE><br \/>\n<P><\/P><br \/>\n<P>Enough said.<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The nation mourns. Gee Dubya Shrub exploits. That, in so many words, is the gist of a report in today&#8217;s Washington Post: In the past six weeks, Bush has cited &#8220;9\/11&#8221; or Sept. 11, 2001, in arguing for his energy policy and in response to questions about campaign fundraising, tax cuts, unemployment, the deficit, airport [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-367","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/sbvgEs-911","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/367","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=367"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/367\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=367"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=367"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=367"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}