{"id":36222,"date":"2019-09-30T17:48:26","date_gmt":"2019-09-30T21:48:26","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=36222"},"modified":"2019-10-02T18:11:29","modified_gmt":"2019-10-02T22:11:29","slug":"it-was-impossible-to-estimate-the-damage","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2019\/09\/it-was-impossible-to-estimate-the-damage.html","title":{"rendered":"It Was Impossible to Estimate the Damage . . ."},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">. . . . . and it still is.<\/h2>\n\n\n\n<p>The European Beat Studies network met in Paris to mark the 60th anniversary of the moment in cultural history when William Burroughs and Brion Gysin, the uhm &#8220;Crick and Watson of the &#8216;cut-up&#8217; method,&#8221; turned the dingy Beat Hotel into their literary laboratory.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"608\" height=\"851\" data-attachment-id=\"36221\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/cut-ups60\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/09\/cut-ups@60.jpg\" data-orig-size=\"608,851\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"cut-ups@60\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/09\/cut-ups@60-214x300.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/09\/cut-ups@60.jpg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/09\/cut-ups@60.jpg\" alt=\"\" class=\"wp-image-36221\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/09\/cut-ups@60.jpg 608w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/09\/cut-ups@60-214x300.jpg 214w\" sizes=\"auto, (max-width: 608px) 100vw, 608px\" \/><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The European Beat Studies network met in Paris to mark the 60th anniversary of the moment in cultural history when William Burroughs and Brion Gysin, the Crick and Watson of the &#8220;cut-up&#8221; method, turned the dingy Beat Hotel into their literary laboratory. <\/p>\n","protected":false},"author":3,"featured_media":36221,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,26,18,4,20,23,17],"tags":[],"class_list":{"0":"post-36222","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-books","9":"category-literature","10":"category-main","11":"category-media","12":"category-news","13":"category-political-culture","14":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/09\/cut-ups@60.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-9qe","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/36222","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=36222"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/36222\/revisions"}],"predecessor-version":[{"id":36249,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/36222\/revisions\/36249"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/36221"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=36222"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=36222"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=36222"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}