{"id":36035,"date":"2019-09-10T14:55:03","date_gmt":"2019-09-10T18:55:03","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=36035"},"modified":"2019-09-10T14:55:10","modified_gmt":"2019-09-10T18:55:10","slug":"a-gothic-tale-set-in-black-and-white","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2019\/09\/a-gothic-tale-set-in-black-and-white.html","title":{"rendered":"A Gothic Tale Set in Black and White"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\"><em> <\/em>       . . . . caught my attention:<\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Trailer Ligia Lewis: Water Will (in Melody)\" src=\"https:\/\/player.vimeo.com\/video\/305500880?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Other works by Ligia Lewis include <em>Sensation 1\/This Interior <\/em>(High Line Commission) (2019); <em>so something happened, get over it; no, nothing happened, get with it <\/em>(Jaou Tunis) (2018); <em>Melancholy: A White Mellow Drama <\/em>(Flax Fahrenheit, Palais de Tokyo) (2015); <em>minor matter<\/em> (2016), a poetic piece illuminated by red; <em>Sorrow Swag<\/em> (2014), presented in a saturated blue; &nbsp;<em>$$$ <\/em>(Tanz im August) (2012); and <em>Sensation 1 <\/em>(sommer.bar, Tanz im August -2011, Basel Liste- 2014).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Other works by Ligia Lewis include Sensation 1\/This Interior (High Line Commission) (2019); so something happened, get over it; no, nothing happened, get with it (Jaou Tunis) (2018); Melancholy: A White Mellow Drama (Flax Fahrenheit, Palais de Tokyo) (2015); minor matter (2016), a poetic piece illuminated by red; Sorrow Swag (2014), presented in a saturated blue;  $$$ (Tanz im August) (2012); and Sensation 1 (sommer.bar, Tanz im August -2011, Basel Liste- 2014).<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,4,20,22,23,17,25],"tags":[],"class_list":{"0":"post-36035","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-art","7":"category-main","8":"category-media","9":"category-music","10":"category-news","11":"category-political-culture","12":"category-theater","13":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-9nd","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/36035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=36035"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/36035\/revisions"}],"predecessor-version":[{"id":36050,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/36035\/revisions\/36050"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=36035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=36035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=36035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}