{"id":359,"date":"2003-08-26T11:19:50","date_gmt":"2003-08-26T18:19:50","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2003\/08\/looking_high_and_low\/"},"modified":"2003-08-26T11:19:50","modified_gmt":"2003-08-26T18:19:50","slug":"looking_high_and_low","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2003\/08\/looking_high_and_low.html","title":{"rendered":"LOOKING HIGH  AND LOW"},"content":{"rendered":"<p><P>Since this column is about the arts, as well as media and culture, may I<br \/>\nrecommend&nbsp;three art shows? <\/P><br \/>\n<P>One, which has the advantage of being online, is <A\nhref=\"http:\/\/www.artmuseums.harvard.edu\/sites\/eoed\/ \"><EM><STRONG>&#8220;the bauhaus at the<br \/>\nbusch-reisinger.&#8221;<\/STRONG> <\/EM><\/A>It comes to us from Harvard and offers details of<br \/>\nBauhaus design &#8212; the thingness of things &#8212; in five categories of what I would call Platonic<br \/>\nessences: LAMP, CHAIR, HOUSE, STAGE, AUTO (as in car). Although not interactive (thank<br \/>\ngawd!), the online program is fully engaging.<\/P><br \/>\n<P>But if you&#8217;re looking for the motherlode of expressionistic architecture, the <A\nhref=\"http:\/\/www.bauhaus-archiv.de\/english\/bauhausarchiv\/index.htm\"><FONT\ncolor=#003399><STRONG><EM>Bauhaus Archive in<br \/>\nBerlin<\/EM><\/STRONG><\/FONT><\/A> is the place to go. Its current exhibit, <A\nhref=\"http:\/\/www.absolutearts.com\/artsnews\/2003\/07\/18\/31217.html\"><EM><FONT\ncolor=#003399>&#8220;<\/FONT><STRONG><FONT color=#003399>Building a New World:<br \/>\nArchitectural Visions of Expressionism,&#8221;<\/FONT> <\/STRONG><\/EM><\/A>runs though Sept.<br \/>\n15. Overlooking the fact that &#8220;few of the buildings designed by Bauhaus architects were actually<br \/>\nbuilt,&#8221; as it was modestly put by a report in THIS WEEK IN GERMANY (from the official<br \/>\nGerman Information Center), the Bauhaus style &#8220;remains Germany&#8217;s most lasting contribution to<br \/>\narchitecture.&#8221; <\/P><br \/>\n<P>For those who prefer less highfalutin arts, or just plain lowlife pleasures &#8212; let&#8217;s drink a stein of<br \/>\nbeer to them &#8212; there&#8217;s the current exhibit of&nbsp;<A\nhref=\"http:\/\/www.brooklynmuseum.org\/visit\/special_exhibitions\/pulp_art\/\"><FONT\ncolor=#003399><EM><STRONG>&#8220;Pulp Art: Vamps, Villains and Victors from the Robert<br \/>\nLesser Collection,&#8221;<\/STRONG><\/EM><\/FONT><\/A> just extended through Oct. 19 at the <A\nhref=\"http:\/\/www.brooklynmuseum.org\"><EM><STRONG><FONT color=#003399>Brooklyn<br \/>\nMuseum of Art<\/FONT><\/STRONG><\/EM><\/A>. The gritty, lurid, fantastical pulp magazines<br \/>\nfrom the &#8217;20s through&nbsp;the &#8217;40s&nbsp;had remarkable cover illustrations first created as<br \/>\npaintings. More than 100 of these paintings are on view. For example:&nbsp;<A\nhref=\"http:\/\/www.brooklynmuseum.org\/visit\/special_exhibitions\/pulp_art\/pulpart_002\"><FONT\ncolor=#003399><EM><STRONG>Amazing Stories<\/STRONG><\/EM><\/FONT><\/A><br \/>\nand&nbsp;<A\nhref=\"http:\/\/www.brooklynmuseum.org\/visit\/special_exhibitions\/pulp_art\/pulpart_001\"><FONT\ncolor=#003399><EM><STRONG>New Detective<br \/>\nMagazine<\/STRONG><\/EM><\/FONT><\/A>.<\/P><br \/>\n<P>The pulps were a populist art, &#8220;literary dream machines,&#8221; according to the exhibit&#8217;s online<br \/>\nnotes, which take a page from the pulps&#8217; overwrought literary style itself. Especially during the<br \/>\nGreat Depression, pulp stories&nbsp;offered &#8220;a passport into worlds of adventure and romance,&#8221;<br \/>\nwhile pulp art&nbsp;&#8220;helped readers to visualize everything from ancient civilizations to outer<br \/>\nspace &#8212; from faraway lands to the dark recesses of the imagination.&#8221;<\/P><br \/>\n<P>What I&#8217;d like to know is, were there any Bauhaus artists illustrating pulp magazines? It seems<br \/>\nto me that the style of those existential Platonists could have lent itself mightily to the<br \/>\nmedium.<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Since this column is about the arts, as well as media and culture, may I recommend&nbsp;three art shows? One, which has the advantage of being online, is &#8220;the bauhaus at the busch-reisinger.&#8221; It comes to us from Harvard and offers details of Bauhaus design &#8212; the thingness of things &#8212; in five categories of what [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-359","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-5N","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/359","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=359"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/359\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=359"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=359"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=359"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}