{"id":35732,"date":"2019-07-22T08:48:21","date_gmt":"2019-07-22T12:48:21","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=35732"},"modified":"2019-07-22T17:05:15","modified_gmt":"2019-07-22T21:05:15","slug":"alison-knowles-proposition-2-for-emmett-williams","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2019\/07\/alison-knowles-proposition-2-for-emmett-williams.html","title":{"rendered":"Alison Knowles: &#8216;Proposition #2 for Emmett Williams&#8217;"},"content":{"rendered":"\n<p>A transcript of this piece was published under the title &#8220;A house of dust, computer poem&#8221; in <em><a href=\"https:\/\/www.artsjournal.com\/herman\/2016\/04\/books-that-truly-were-something-else.html\">Fantastic Architecture<\/a><\/em> edited by Wolf Vostell and Dick Higgins (Something Else Press, 1969). The reading, on a cassette recording made ca. 1967, was salvaged from a recent basement flood at S|U&#8217;s Manhattan perch. It features four voices: Alison Knowles (first), someone I can&#8217;t identify (second),  a third voice I don&#8217;t recognize, and Higgins (fourth). Any help with identifications would be appreciated.<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" width=\"100%\" height=\"175\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/654329741&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&amp;visual=true\"><\/iframe><\/figure>\n\n\n\n<p style=\"text-align:center\">And don&#8217;t forget to turn up the audio volume.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A transcript of this piece was published under the title &#8220;A house of dust, computer poem&#8221; in FANTASTIC ARCHITECTURE edited by Wolf Vostell and Dick Higgins (Something Else Press, 1969). The reading, on a cassette recording made ca. 1967, was salvaged from a recent basement flood at S|U&#8217;s Manhattan perch. It features four readers, including Alison Knowles and Dick Higgins. Any help identifying the two other voices would be appreciated.<\/p>\n","protected":false},"author":3,"featured_media":35740,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,26,18,4,20,22,23,17],"tags":[],"class_list":{"0":"post-35732","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-books","9":"category-literature","10":"category-main","11":"category-media","12":"category-music","13":"category-news","14":"category-political-culture","15":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/07\/Alison-Knowles-for-Emmett-Williams.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-9ik","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/35732","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=35732"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/35732\/revisions"}],"predecessor-version":[{"id":35754,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/35732\/revisions\/35754"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/35740"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=35732"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=35732"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=35732"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}