{"id":357,"date":"2003-09-03T02:06:05","date_gmt":"2003-09-03T09:06:05","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2003\/09\/culture_wars\/"},"modified":"2003-09-03T02:06:05","modified_gmt":"2003-09-03T09:06:05","slug":"culture_wars","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2003\/09\/culture_wars.html","title":{"rendered":"CULTURE WARS"},"content":{"rendered":"<p><P>This morning, New York Times columnist <A\nhref=\"http:\/\/www.nytimes.com\/2003\/09\/03\/opinion\/03FRIE.html\"><FONT\ncolor=#003399><EM><STRONG>Tom Friedman hailed<br \/>\n&#8220;Superstar,&#8221;<\/STRONG><\/EM><\/FONT><\/A> the Arab version of &#8220;American Idol&#8221; that aired<br \/>\non the satellite channel of the Lebanese Broadcasting Corporation, as a possible stepping-stone to<br \/>\ndemocracy in the Middle East three ways to Sunday &#8212; that is, politically, culturally and<br \/>\ntechnologically, no kidding. <EM>(Free&nbsp;registration required.)<\/EM>&nbsp;At the same<br \/>\ntime, the <A href=\"http:\/\/www.cbs.com\/specials\/latin_grammys4\/\"><STRONG><EM><FONT\ncolor=#003399>Latin Grammys<\/FONT><\/EM><\/STRONG><\/A> to be broadcast tonight from<br \/>\nMiami on CBS are once again part of<FONT color=#003399><EM><STRONG>&nbsp;<A\nhref=\"http:\/\/www.cnn.com\/2003\/SHOWBIZ\/Music\/09\/03\/cuba.latin.grammys.ap\/\"><FONT\ncolor=#003399>the visa battles<\/FONT><\/A><\/STRONG><\/EM><\/FONT> in the continuing<br \/>\npropaganda war between Cuba and the United States and a<A\nhref=\"http:\/\/www.sun-sentinel.com\/news\/local\/southflorida\/sfl-dprotest30sep03,0,2458551.story?\ncoll=sfla-home-headlines\"><EM><STRONG>&nbsp;<FONT color=#003399>source of<br \/>\nconflict<\/FONT><\/STRONG><\/EM><\/A> within Miami&#8217;s Hispanic community. Maybe it&#8217;s time<br \/>\nfor Tom to&nbsp;take a trip to&nbsp;Cuba.<\/P><br \/>\n<P><STRONG>Correction:<\/STRONG>&nbsp; &#8220;Superstar&#8221; aired on Future Television, not the<br \/>\nLBC.<BR><\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This morning, New York Times columnist Tom Friedman hailed &#8220;Superstar,&#8221; the Arab version of &#8220;American Idol&#8221; that aired on the satellite channel of the Lebanese Broadcasting Corporation, as a possible stepping-stone to democracy in the Middle East three ways to Sunday &#8212; that is, politically, culturally and technologically, no kidding. (Free&nbsp;registration required.)&nbsp;At the same time, [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-357","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-5L","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/357","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=357"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/357\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=357"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=357"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=357"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}