{"id":354,"date":"2003-08-25T08:55:17","date_gmt":"2003-08-25T15:55:17","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2003\/08\/biblical_illusions\/"},"modified":"2003-08-25T08:55:17","modified_gmt":"2003-08-25T15:55:17","slug":"biblical_illusions","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2003\/08\/biblical_illusions.html","title":{"rendered":"BIBLICAL ILLUSIONS"},"content":{"rendered":"<p><P><A href=\"http:\/\/www.artsjournal.com\/herman\/archives20030824.html#49826\"><FONT\ncolor=#003399><EM><STRONG>Yesterday&#8217;s item<\/STRONG><\/EM><\/FONT><\/A> asking<br \/>\nabout the design of the granite Ten Commandments monument that was ordered removed from<br \/>\nthe rotunda of Alabama&#8217;s state judicial building brought a response from blogger&nbsp;Mac<br \/>\nDiva&nbsp;that may help clear up the mystery. He writes: <\/P><br \/>\n<P><br \/>\n<BLOCKQUOTE>Jan, it appears the design of the monument was worked out between [<FONT\nsize=3><FONT size=2>Alabama Chief Justice Roy]<\/FONT><STRONG><br \/>\n<\/STRONG><\/FONT>Moore and James Kennedy, the far-right evangelist whom I suspect was a<br \/>\nco-conspirator from the beginning.&nbsp; That may be why it is unsigned.&nbsp; <BR><BR>In<br \/>\naddition to the commandments, the big rock features quotes from political figures dear to<br \/>\nreactionary and neo-Confederate hearts.&nbsp; I will be posting an expos\u00e9 of that connection to<br \/>\nmy blog, <A href=\"http:\/\/macaronies.blogspot.com\"><FONT\ncolor=#003399><EM><STRONG>Mac-a-ro-nies<\/STRONG><\/EM><\/FONT><\/A>.<\/BLOCK\nQUOTE><br \/>\n<P><\/P><br \/>\n<P>Meantime, here is <A href=\"http:\/\/www.atheists.org\/flash.line\/alabam18.htm\"><FONT\ncolor=#003399><EM><STRONG>more information<\/STRONG><\/EM><\/FONT><\/A> from<br \/>\nthe Web site of American Atheists. (Though an admittedly partial source, it offers a<br \/>\nstraightforward report).&nbsp;Apparently, Moore participated in &#8220;a promotional effort with a<br \/>\nfundamentalist Christian ministry to distribute video tapes showing the stealth placement&#8221; of the<br \/>\nmonument on the night of July 31, 2001.<\/P><br \/>\n<P>Separation of church and state is at the heart of the matter, of course, not design &#8212;<br \/>\nand&nbsp;that has long been an issue for Kennedy, who would like to turn the United States<br \/>\ninto&nbsp;a Christian theocracy. Back in 2001, <FONT color=#003399><EM><STRONG>the<br \/>\n<\/STRONG><\/EM><\/FONT><A\nhref=\"http:\/\/www.ajcongress.org\/pages\/RELS2000\/JAN_2000\/jan00_03.htm\"><FONT\ncolor=#003399><EM><STRONG>American Jewish Congress<br \/>\ncharged<\/STRONG><\/EM><\/FONT><\/A> that&nbsp;the evangelist&#8217;s&nbsp;attack on<br \/>\n&#8220;church-state separation as an &#8216;anti-Christian&#8217; lie&#8221; [had set] back efforts to avoid religious<br \/>\ndivisiveness.&#8221; Here is <EM><STRONG><A\nhref=\"http:\/\/www.kenneth-copeland.com\/kennedy\/general.htm\"><FONT\ncolor=#003399>more&nbsp;background<\/FONT><\/A><\/STRONG><\/EM> about Kennedy. To<br \/>\nbe fair,&nbsp;here is a <A href=\"http:\/\/www.freegift77.com\/evangeli.htm\"><FONT\ncolor=#003399><EM><STRONG>friendlier rundown<\/STRONG><\/EM><\/FONT><\/A> from<br \/>\nthe Web site of Evangelism Explosion.<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Yesterday&#8217;s item asking about the design of the granite Ten Commandments monument that was ordered removed from the rotunda of Alabama&#8217;s state judicial building brought a response from blogger&nbsp;Mac Diva&nbsp;that may help clear up the mystery. He writes: Jan, it appears the design of the monument was worked out between [Alabama Chief Justice Roy] Moore [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-354","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-5I","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/354","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=354"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/354\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=354"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=354"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=354"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}