{"id":35386,"date":"2019-05-29T14:27:08","date_gmt":"2019-05-29T18:27:08","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=35386"},"modified":"2023-08-20T13:43:13","modified_gmt":"2023-08-20T17:43:13","slug":"a-dialogue-all-that-would-ever-after-not-be-said","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2019\/05\/a-dialogue-all-that-would-ever-after-not-be-said.html","title":{"rendered":"A Dialogue: &#8216;All That Would Ever After Not Be Said&#8217;"},"content":{"rendered":"\n<p class=\"has-text-align-center\">Norman Ogue Mustill (1931-2013), longtime friend and collaborator, was a little-known master collagist. <\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"599\" data-attachment-id=\"35384\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/accidental-dialogue-from-all-that-would-ever-after-not-be-said-750noted\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/05\/ACCIDENTAL-DIALOGUE-from-All-That-Would-Ever-After-Not-Be-Said-750noted.jpg\" data-orig-size=\"750,599\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Accidental Dialogue (from &amp;#8216;All That Would Ever After Not Be Said&amp;#8217;)\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/05\/ACCIDENTAL-DIALOGUE-from-All-That-Would-Ever-After-Not-Be-Said-750noted-300x240.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/05\/ACCIDENTAL-DIALOGUE-from-All-That-Would-Ever-After-Not-Be-Said-750noted.jpg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/05\/ACCIDENTAL-DIALOGUE-from-All-That-Would-Ever-After-Not-Be-Said-750noted.jpg\" alt=\"from 'ALL THAT WOULD EVER AFTER NOT BE SAID' [Phantom Outlaw Editions, 2019\" class=\"wp-image-35384\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/05\/ACCIDENTAL-DIALOGUE-from-All-That-Would-Ever-After-Not-Be-Said-750noted.jpg 750w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/05\/ACCIDENTAL-DIALOGUE-from-All-That-Would-Ever-After-Not-Be-Said-750noted-300x240.jpg 300w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption class=\"wp-element-caption\"><em><a href=\"https:\/\/www.amazon.com\/That-Would-Ever-After-Said\/dp\/B09L3YWMSF\/ref=tmm_pap_swatch_0?_encoding=UTF8&amp;qid=&amp;sr=\" data-type=\"link\" data-id=\"https:\/\/www.amazon.com\/That-Would-Ever-After-Said\/dp\/B09L3YWMSF\/ref=tmm_pap_swatch_0?_encoding=UTF8&amp;qid=&amp;sr=\">From &#8216;All That Would Ever After Not Be Said.&#8217;<\/a><\/em><a href=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/05\/A-DIALOGUE-from-All-That-Would-Ever-After-Not-Be-Said-bordered.png\"><br>Click to enlarge.<\/a><\/figcaption><\/figure>\n<\/div>\n\n\n<p>His collage is from <em>Flypaper, <\/em>originally published by Beach Books, Texts and Documents, and is not intended to illustrate the deformed sonnet (which owes a debt to Evelyn Waugh). Nor is my sonnet meant as commentary on the collage. The juxtaposition was determined by chance. The dialogue between them simply honors a friendship.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Norman Ogue Mustill (1931-2013), longtime friend and collaborator, was a little-known master collagist. His collage is from &#8216;Flypaper,&#8217; originally published by Beach Books, Texts and Documents, and is not intended to illustrate the deformed sonnet facing it (which owes a debt to Evelyn Waugh). Nor is the sonnet meant as commentary on the collage. The juxtaposition was determined by chance. The dialogue between them simply honors a friendship.<\/p>\n","protected":false},"author":3,"featured_media":35414,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,26,18,4,23,17],"tags":[],"class_list":{"0":"post-35386","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-books","9":"category-literature","10":"category-main","11":"category-news","12":"category-political-culture","13":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/05\/ACCIDENTAL-DIALOGUE-from-All-That-Would-Ever-After-Not-Be-Said-copy.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-9cK","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/35386","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=35386"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/35386\/revisions"}],"predecessor-version":[{"id":58156,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/35386\/revisions\/58156"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/35414"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=35386"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=35386"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=35386"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}