{"id":35206,"date":"2019-05-04T18:02:14","date_gmt":"2019-05-04T22:02:14","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=35206"},"modified":"2019-05-06T13:39:59","modified_gmt":"2019-05-06T17:39:59","slug":"clayton-patterson-and-the-front-door","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2019\/05\/clayton-patterson-and-the-front-door.html","title":{"rendered":"Clayton Patterson and the Front Door"},"content":{"rendered":"\n

Artists and retail stores have a history.  Bonwit Teller on 5th Avenue featured avant-garde art from 1929 to 1980, starting with Salvador Dali in ’29 and including Jasper Johns in 1957. Warhol in the 1950s did windows for Tiffany’s.  In that tradition Cody Simon has curated a show at Sneakersnstuff-NYC<\/a> featuring Clayton Patterson’s Front Door photo series.  The photos, taken at his Lower East Side storefront gallery and living quarters on Essex Street, go back to the mid-1980s up through 2019.  They include a large Hispanic collection and are also multigenerational.  Some of Patterson’s subjects now have children older than he was when he first photographed them.<\/p>\n\n\n\n

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Photo by Clayton Patterson<\/strong><\/em><\/figcaption><\/figure><\/div>\n\n\n\n
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Photo by Clayton Patterson<\/strong><\/em><\/figcaption><\/figure><\/div>\n\n\n\n
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Anthony Bordain and Clayton Patterson [Photo by Elsa Rensaa]<\/strong><\/em><\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Artists and retail stores have a history. Bonwit Teller on 5th Avenue featured avant-garde art from 1929 to 1980, starting with Salvador Dali in ’29 and including Jasper Johns in 1957. Warhol in the 1950s did windows for Tiffany’s. In that tradition Cody Simon has curated a show at Sneakersnstuff-NYC featuring Clayton Patterson’s Front Door photo series. The photos, taken at his Lower East Side storefront gallery and living quarters on Essex Street, go back to the mid-1980s up through 2019. They include a large Hispanic collection and are also multigenerational. Some of Patterson’s subjects now have children older than he was when he first photographed them.<\/p>\n","protected":false},"author":3,"featured_media":35208,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,4,20,23,17],"tags":[],"class_list":{"0":"post-35206","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-main","9":"category-media","10":"category-news","11":"category-political-culture","12":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/05\/CLAYTON-PETTERSON-FOTO-EXHIB-560.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-99Q","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/35206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=35206"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/35206\/revisions"}],"predecessor-version":[{"id":35269,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/35206\/revisions\/35269"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/35208"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=35206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=35206"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=35206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}