{"id":352,"date":"2003-08-10T18:00:58","date_gmt":"2003-08-11T01:00:58","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2003\/08\/with_more_to_come\/"},"modified":"2025-11-03T15:18:44","modified_gmt":"2025-11-03T20:18:44","slug":"with_more_to_come","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2003\/08\/with_more_to_come.html","title":{"rendered":"Blogroll"},"content":{"rendered":"

Abstract City<\/span><\/a>
\nAC Institute<\/span><\/a>
\nAll Things Allen Ginsberg<\/span><\/a>
\nAntiwar.com<\/span><\/a>
\narkivmusic.com<\/span><\/a>
\nArtbook&<\/span><\/a>
\nArts & Letters Daily<\/span><\/a><\/p>\n

Befunky<\/span><\/a>
\nBellaart<\/span><\/a>
\nBlogcritics<\/span><\/a>
\nBooknotes<\/span><\/a>
\nBright Lights Film Journal<\/span><\/a><\/p>\n

C-SPAN<\/span><\/a>
\nNoam Chomsky<\/span><\/a>
\nConsortium News<\/span><\/a>
\nCost of War<\/span><\/a>
\nCouncil on Foreign Relations<\/span><\/a>
\nCrooks and Liars<\/span><\/a>
\nCultural Daily<\/span><\/a><\/p>\n

The Daily Howler<\/span><\/a>
\nDark Roasted Blend<\/span><\/a>
\nDCReport<\/span><\/a>
\nDeep L<\/span><\/a>
\nDemocracy Now!<\/span><\/a><\/p>\n

Tim Ellis: Comedy<\/span><\/a>
\nEschaton<\/span><\/a><\/span><\/p>\n

Film Threat<\/span><\/a>
\nRobert Fisk<\/span><\/a>
\nFlixnosh (David Elliott’s movie menu)<\/span><\/a>
\nFluxlist Europe<\/span><\/a><\/span><\/p>\n

Good Reads<\/span><\/a>
\nThe Guardian <\/span><\/a>
\nGUERNICA: A Magazine of Art & Politics<\/span><\/a><\/p>\n

Herman (Literary) Archive, Northwestern Univ. Library<\/span><\/a>
\nThe Huffington Post<\/span><\/a><\/p>\n

Inter Press Service News Agency<\/span><\/a>
\nThe Intercept<\/span><\/a>
\nInternet Archive (WayBackMachine)<\/span><\/a>
\nInternet Movie Database (IMDb)<\/span><\/a>
\nDoug Ireland<\/span><\/a>
\nIT: International Times, The Magazine of Resistance<\/span><\/a><\/p>\n

Jacketmagazine<\/span><\/a>
\nClive James<\/span><\/a><\/p>\n

Kanopy (stream free movies, via participating library or university)<\/span><\/a>
\nHenry Kisor<\/span><\/a>
\nPaul Krugman<\/span><\/a><\/p>\n

Lannan Foundation<\/span><\/a>
\nLos Angeles Times<\/span><\/a><\/p>\n

Metacritic<\/span><\/a>
\nMimeo Mimeo<\/span><\/a>
\nMoloko Print<\/span><\/a>
\nMovie Geeks United (MGU)<\/span><\/a>
\nMGU: The Kubrick Series<\/span><\/a><\/p>\n

National Security Archive<\/span><\/a>
\nThe New York Times<\/span><\/a>
\nNO!art<\/span><\/a><\/p>\n

Osborne & Conant<\/span><\/a><\/span>
\nThe Overgrown Path<\/span><\/a><\/p>\n

Poets House<\/span><\/a>
\nPolitical Irony<\/span><\/a>
\nPoynter<\/span><\/a><\/p>\n

Quanta Magazine<\/span><\/a><\/p>\n

Rain Taxi<\/span><\/a>
\nThe Raw Story<\/span><\/a>
\nRealityStudio.org<\/span><\/a>
\nBill Reed<\/span><\/a>
\nRhizome<\/span><\/a>
\nRwanda Project<\/span><\/a><\/p>\n

Salon<\/span><\/a>
\nSenses of Cinema<\/span><\/a>
\nSeven Stories Press<\/span><\/a>
\nSlate<\/span><\/a>
\nStadtlichter Presse<\/span><\/a>
\nStuds Terkel<\/span><\/a>
\nThe Synergic Theater<\/span><\/a><\/span><\/p>\n

Talking Points Memo (TPM)<\/span><\/a>
\nTalkLeft<\/span><\/a>
\nThe 3rd Page<\/span><\/a>
\nThird Mind Books<\/span><\/a>
\nTimes Square Cam<\/span><\/a>
\nThe Tin Man<\/span><\/a>
\nt r u t h o u t<\/span><\/a><\/p>\n

Ubu Web<\/span><\/a><\/p>\n

Vox<\/span><\/a><\/p>\n

The Wall Street Journal<\/span><\/a>
\nWikigate<\/span><\/a>
\nWikipedia<\/span><\/a>
\nThe Washington Post<\/span><\/a>
\n<\/a>The Wayback Machine (Internet Archive)<\/span><\/a>
\n<\/a>World Catalogue<\/span><\/a>
\n<\/a>World Newspapers, Magazines & News Sites<\/span><\/a><\/p>\n

The XD Agency<\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Abstract City AC Institute All Things Allen Ginsberg Antiwar.com arkivmusic.com Artbook& Arts & Letters Daily Befunky Bellaart Blogcritics Booknotes Bright Lights Film Journal C-SPAN Noam Chomsky Consortium News Cost of War Council on Foreign Relations Crooks and Liars Cultural Daily The Daily Howler Dark Roasted Blend DCReport Deep L Democracy Now! Tim Ellis: Comedy Eschaton […]<\/p>\n","protected":false},"author":1,"featured_media":9287,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[15],"tags":[],"class_list":{"0":"post-352","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-sites","8":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/08\/1a-FUCK-YOUR-NATONALISM-e1377281370755.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-5G","jetpack_sharing_enabled":false,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/352","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=352"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/352\/revisions"}],"predecessor-version":[{"id":71032,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/352\/revisions\/71032"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/9287"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=352"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=352"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=352"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}