{"id":34946,"date":"2019-04-24T10:06:14","date_gmt":"2019-04-24T14:06:14","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=34946"},"modified":"2019-04-24T10:54:39","modified_gmt":"2019-04-24T14:54:39","slug":"rene-char-on-rebirth-and-phantoms","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2019\/04\/rene-char-on-rebirth-and-phantoms.html","title":{"rendered":"Ren\u00e9 Char on Rebirth and Phantoms"},"content":{"rendered":"

From le ma\u00eetre Bellaart come two short excerpts taken from the WWII writings of Ren\u00e9 Char. 
One concerns a walnut tree; the other speaks about the phantoms of our “empirical souls.”
Why post them? And why now? Read them.<\/p>\n\n\n

\"\"
A footnote to ‘fragment 220’ in Ren\u00e9 Char’s Hypnos<\/a>.<\/em>
Translated by Mark Hutchinson.<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"
From ‘fragment 220’ in Hypnos<\/a>.<\/em>
Translated by Mark Hutchinson.<\/figcaption><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"

From le ma\u00eetre Bellaart come two short excerpts taken from the WWII writings of Ren\u00e9 Char. One concerns a walnut tree; the other speaks about the phantoms of our “empirical souls.”Why post them? And why now? Read them.<\/p>\n","protected":false},"author":3,"featured_media":34949,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18,4,23,17],"tags":[],"class_list":{"0":"post-34946","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-literature","8":"category-main","9":"category-news","10":"category-political-culture","11":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/04\/rene-char-fragment-365.jpeg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-95E","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/34946","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=34946"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/34946\/revisions"}],"predecessor-version":[{"id":34994,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/34946\/revisions\/34994"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/34949"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=34946"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=34946"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=34946"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}