{"id":34519,"date":"2019-04-02T11:50:00","date_gmt":"2019-04-02T15:50:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=34519"},"modified":"2019-04-02T11:55:13","modified_gmt":"2019-04-02T15:55:13","slug":"variation-on-a-clap-trap-theme","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2019\/04\/variation-on-a-clap-trap-theme.html","title":{"rendered":"Variation on a ‘Clap Trap’ Theme"},"content":{"rendered":"

Personally, I prefer Brion Gysin’s versified lines:<\/p>\n

“In the beginning \/ was the Word\u2014 \/ been in You \/ for a toolong time \/<\/p>\n

I rub out the word . . .”<\/p>\n

 But unlike that one<\/a>, this one was made to order.<\/p>\n\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n
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Click to enlarge.<\/a><\/figcaption><\/figure>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Personally, I prefer Brion Gysin’s versified lines: “In the beginning \/\u00a0was the Word\u2014 \/\u00a0been in You \/\u00a0for a toolong time \/I rub out the word . . .”\u00a0But unlike that one, this one was made to order.<\/p>\n","protected":false},"author":3,"featured_media":34227,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,18,4,23,17],"tags":[],"class_list":{"0":"post-34519","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-literature","9":"category-main","10":"category-news","11":"category-political-culture","12":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/03\/JH-clap-trap-verso-365.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-8YL","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/34519","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=34519"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/34519\/revisions"}],"predecessor-version":[{"id":34534,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/34519\/revisions\/34534"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/34227"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=34519"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=34519"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=34519"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}