{"id":33522,"date":"2019-01-31T14:55:23","date_gmt":"2019-01-31T19:55:23","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=33522"},"modified":"2019-02-09T14:36:06","modified_gmt":"2019-02-09T19:36:06","slug":"9-deformed-sonnets-for-my-old-friend","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2019\/01\/9-deformed-sonnets-for-my-old-friend.html","title":{"rendered":"Deformed Sonnets for My Old Friend"},"content":{"rendered":"<p>The artist Norman Ogue Mustill was an extreme dissenter. Nothing pleased him more than reaming out the human race. His collages stopped you dead with their vicious satire, like the writings of William S. Burroughs, and for technical precision Max Ernst didn&#8217;t do better. But Mustill is little known, his work unseen, \u00a0his praise unsung.<\/p>\n\n\n<figure class=\"wp-block-embed-soundcloud alignleft wp-block-embed is-type-rich is-provider-soundcloud wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"DEFORMED SONNETS FOR MY OLD FRIEND by JanHerman\" width=\"500\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F567886329&#038;show_artwork=true&#038;maxheight=750&#038;maxwidth=500&#038;secret_token=s-JaIIi\"><\/iframe>\n<\/div><figcaption>Dedicated to Norman Ogue Mustill.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>The artist Norman Ogue Mustill was an extreme dissenter. Nothing pleased him more than reaming out the human race. His collages stopped you dead with their vicious satire, like the writings of William S. Burroughs, and for technical precision Max Ernst didn&#8217;t do better. But Mustill is little known, his work unseen, \u00a0his praise unsung.<\/p>\n","protected":false},"author":3,"featured_media":5482,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18,4,20,23,17],"tags":[],"class_list":{"0":"post-33522","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-literature","8":"category-main","9":"category-media","10":"category-news","11":"category-political-culture","12":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/03\/Collage-from-FLYPAPER-by-Norman-O.-Mustill-SHOEHEAD200.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-8IG","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/33522","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=33522"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/33522\/revisions"}],"predecessor-version":[{"id":33570,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/33522\/revisions\/33570"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/5482"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=33522"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=33522"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=33522"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}