{"id":33001,"date":"2019-01-09T09:24:46","date_gmt":"2019-01-09T14:24:46","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=33001"},"modified":"2019-01-09T11:20:32","modified_gmt":"2019-01-09T16:20:32","slug":"no-shore-receives-them","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2019\/01\/no-shore-receives-them.html","title":{"rendered":"No Shore Receives Them"},"content":{"rendered":"\n<p>The front-page story by Patrick Kingsley in today&#8217;s print edition of the NY Times, <a href=\"https:\/\/www.nytimes.com\/2019\/01\/08\/world\/europe\/migrants-stranded-sea-watch.html?action=click&amp;module=News&amp;pgtype=Homepage\">&#8220;Rescued Migrants, at Sea for Weeks, Struggle to Reach a New Life,&#8221; <\/a> calls from the depths.  \u201cWe are crying,\u201d said one of the migrants in an interview on the boat this week. \u201cWe can see Malta with our own eyes, but we are still stuck on this ship.\u201d Their depths are not the same as the tale of despair that <a href=\"http:\/\/www.artsjournal.com\/herman\/2018\/07\/two-ways-of-looking-at-a-poem.html\">G\u00e9ricault pictured<\/a>, but they might as well be. <\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft\"><img loading=\"lazy\" decoding=\"async\" width=\"221\" height=\"303\" data-attachment-id=\"32997\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/raft-defson-bordered-221x303\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/01\/RAFT-defson-bordered-221x303.jpg\" data-orig-size=\"221,303\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"RAFT defson-bordered (221&amp;#215;303)\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/01\/RAFT-defson-bordered-221x303-219x300.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/01\/RAFT-defson-bordered-221x303.jpg\" src=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/01\/RAFT-defson-bordered-221x303.jpg\" alt=\"\" class=\"wp-image-32997\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/01\/RAFT-defson-bordered-221x303.jpg 221w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/01\/RAFT-defson-bordered-221x303-219x300.jpg 219w\" sizes=\"auto, (max-width: 221px) 100vw, 221px\" \/><\/figure><\/div>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft\"><img loading=\"lazy\" decoding=\"async\" width=\"306\" height=\"301\" data-attachment-id=\"32998\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/raft-image-bordered-306x301enh\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/01\/RAFT-image-bordered-306x301enh.jpg\" data-orig-size=\"306,301\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"RAFT image-bordered (306x301enh)\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/01\/RAFT-image-bordered-306x301enh-300x295.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/01\/RAFT-image-bordered-306x301enh.jpg\" src=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/01\/RAFT-image-bordered-306x301enh.jpg\" alt=\"\" class=\"wp-image-32998\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/01\/RAFT-image-bordered-306x301enh.jpg 306w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/01\/RAFT-image-bordered-306x301enh-300x295.jpg 300w\" sizes=\"auto, (max-width: 306px) 100vw, 306px\" \/><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The front-page story by Patrick Kingsley in today&#8217;s print edition of the NY Times, &#8220;Rescued Migrants, at Sea for Weeks, Struggle to Reach a New Life,&#8221; calls from the depths. \u201cWe are crying,\u201d said one of the migrants in an interview on the boat this week. \u201cWe can see Malta with our own eyes, but [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":32998,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18,4,23,17],"tags":[],"class_list":{"0":"post-33001","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-literature","8":"category-main","9":"category-news","10":"category-political-culture","11":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2019\/01\/RAFT-image-bordered-306x301enh.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-8Ah","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/33001","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=33001"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/33001\/revisions"}],"predecessor-version":[{"id":33198,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/33001\/revisions\/33198"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/32998"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=33001"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=33001"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=33001"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}