{"id":31900,"date":"2018-10-28T13:33:18","date_gmt":"2018-10-28T17:33:18","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=31900"},"modified":"2018-10-30T17:20:52","modified_gmt":"2018-10-30T21:20:52","slug":"drawing-by-other-means-2","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2018\/10\/drawing-by-other-means-2.html","title":{"rendered":"An Evolution of ‘Other Means’"},"content":{"rendered":"

Speaking of drawing by other means<\/a>, Gary Lee-Nova messages that “after first encountering things like
\n<\/a>Fuzz Against Junk,”<\/em> he discovered Max Ernst’s collage novels, and in that neo-Victorian mode created his own collages during the mid- to late-1960s. Among his “very first” was “Immense Stone” (below). Another was “Detecting the Forgery” (left), which was later remade as a silkscreen. <\/a> Much more recently, in collaboration with the late San Francisco punk rocker and writer Johnny Strike<\/a>, Lee-Nova went on to making comic-strip graphic novels using the Nova Criminals\/Nova Police theme of William S. Burroughs’s cut-up novels, The Soft Machine, The Ticket That Exploded,<\/em> and Nova Express.<\/em> This is one of their strips:<\/p>\n

<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Speaking of drawing by other means, Gary Lee-Nova messages that “after first encountering things like Fuzz Against Junk,” he discovered Max Ernst’s collage novels, and in that neo-Victorian mode created his own collages during the mid- to late-1960s. Among his “very first” was “Immense Stone” (below). Another was “Detecting the Forgery” (left), which was later […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,18,4,20,23,17],"tags":[],"class_list":{"0":"post-31900","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-art","7":"category-literature","8":"category-main","9":"category-media","10":"category-news","11":"category-political-culture","12":"entry","13":"has-post-thumbnail"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-8iw","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/31900","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=31900"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/31900\/revisions"}],"predecessor-version":[{"id":31938,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/31900\/revisions\/31938"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=31900"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=31900"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=31900"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}