{"id":31579,"date":"2018-10-12T11:40:20","date_gmt":"2018-10-12T15:40:20","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=31579"},"modified":"2018-10-12T15:55:43","modified_gmt":"2018-10-12T19:55:43","slug":"homage-to-felicien-rops","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2018\/10\/homage-to-felicien-rops.html","title":{"rendered":"Homage to F\u00e9licien Rops"},"content":{"rendered":"

“The evil which the curiosity about the past uncovers
marches in accelerating pursuit of the horrors lurking in the present . . . “<\/font><\/center>
\n
That comment by Cyril Connolly refers to a very different work from these two studies
sketched by Gerard Bellaart for one of his paintings. But I can’t help thinking it applies here.<\/em><\/center>
\n
<\/a>

A study for the painting ‘Jardin des supplices’ \u00a9 2016 by Gerard Bellaart<\/font><\/p><\/div>
\n

<\/a>

A study for the painting ‘Jardin des supplices’ \u00a9 2016 by Gerard Bellaart<\/font><\/p><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"

“The evil which the curiosity about the past uncovers marches in accelerating pursuit of the horrors lurking in the present . . . “ That comment by Cyril Connolly refers to a very different work from these two studies sketched by Gerard Bellaart for one of his paintings. But I can’t help thinking it applies […]<\/p>\n","protected":false},"author":3,"featured_media":31861,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,4,23],"tags":[],"class_list":{"0":"post-31579","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-main","9":"category-news","10":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2018\/10\/GERARD-BELLAART-P1310283-use-this-copy365.jpeg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-8dl","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/31579","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=31579"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/31579\/revisions"}],"predecessor-version":[{"id":31871,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/31579\/revisions\/31871"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/31861"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=31579"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=31579"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=31579"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}