{"id":30912,"date":"2018-08-16T09:28:59","date_gmt":"2018-08-16T13:28:59","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=30912"},"modified":"2018-08-16T09:28:59","modified_gmt":"2018-08-16T13:28:59","slug":"the-nova-machine-redesigned","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2018\/08\/the-nova-machine-redesigned.html","title":{"rendered":"The Nova Machine, Redesigned"},"content":{"rendered":"

Gary Lee-Nova, who partnered with Johnny Strike<\/a> on ‘The Nova Machine,’ writes: <\/p>\n

Thank you for posting an early version of page #1<\/a>.<\/p>\n

After several pages had been rendered, I began to question the structure of giving a page five rows. I decided to reorganize all the existing pages into a structure of four rows, and preferred the overall flow after the modification. I\u2019ve posted an example of the four-row scheme below.<\/p>\n

It is so cool to see the early-page version in a “live” situation. <\/p>\n

Also, I\u2019m pleased to observe someone deeply offended<\/a> by the work. If you\u2019ve read enough McLuhan, you probably understand that all an Artist is interested in is having an effect. So true!<\/p><\/blockquote>\n

The four-row redesign, click to enlarge<\/a>:<\/font><\/center>
<\/a>

The Nova Machine (four-row redesign) by Gary Lee-Nova and Johnny Strike.<\/p><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"

Gary Lee-Nova, who partnered with Johnny Strike on ‘The Nova Machine,’ writes: Thank you for posting an early version of page #1. After several pages had been rendered, I began to question the structure of giving a page five rows. I decided to reorganize all the existing pages into a structure of four rows, and […]<\/p>\n","protected":false},"author":3,"featured_media":30914,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,18,4,20,23,17],"tags":[],"class_list":{"0":"post-30912","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-literature","9":"category-main","10":"category-media","11":"category-news","12":"category-political-culture","13":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2018\/08\/The-Nova-Machine750.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-82A","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/30912","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=30912"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/30912\/revisions"}],"predecessor-version":[{"id":30921,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/30912\/revisions\/30921"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/30914"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=30912"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=30912"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=30912"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}